7.1/10
549
21 user 11 critic

Virtue (1932)

TV-PG | | Crime, Drama, Romance | 25 October 1932 (USA)
A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver, but other matters keep getting in their way, including financial problems and a murder.

Director:

Edward Buzzell (as Edduie Buzzell)

Writers:

Robert Riskin (screen play), Ethel Hill (story)
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Cast

Complete credited cast:
Carole Lombard ... Mae
Pat O'Brien ... Jimmy Doyle
Mayo Methot ... Lil Blaine
Jack La Rue ... Toots
Shirley Grey ... Gert
Ward Bond ... Frank
Willard Robertson ... MacKenzie
Lew Kelly Lew Kelly ... Magistrate
Fred Santley Fred Santley ... Hank
Arthur Wanzer Arthur Wanzer ... Flanagan
Jessie Arnold ... Landlady
Edwin Stanley Edwin Stanley ... District Attorney
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Storyline

Taxicab driver Jimmy Doyle (Pat O'Brien) marries a girl of the streets, Mae (Carole Lombard and, overlooking her past, sets out to make a honest woman of her. But, during the reformation period, Mae returns to a hotel of ill repute to collect the $200 she once loaned to a street-walking girlfriend. Jimmy mistakenly thinks she has turned pro again and her situation worsens when she is implicated in a murder and jailed awaiting a court trial. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

In her Life of Vice She Scoffed at....VIRTUE See more »

Genres:

Crime | Drama | Romance

Certificate:

TV-PG
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Details

Country:

USA

Language:

English

Release Date:

25 October 1932 (USA) See more »

Also Known As:

Unbescholten See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Edward LeSaint in the role as "Magistrate" is in studio records/casting call lists as a cast member, but he did not appear or was not identifiable in the movie. The role of "Magistrate" was credited onscreen to Lew Kelly, but he also did not appear. And neither did Fred Santley, credited onscreen as "Hank." See more »

Quotes

[first lines]
Flanagan: [at the ticket window at a train station] Pretty soft for you, sister, getting the city to pay your fare to Danbury.
Mae: Pretty soft for the city I don't live in Australia. C'mon, grandpa.
Flanagan: [on the train, placing Mae's luggage on the rack] There y'are.
[to the conductor]
Flanagan: The lady goes to Danbury, chief.
[to Mae]
Flanagan: Now take my advice, sister, and keep out of New York.
Mae: [snidely] OK, grandpa. I'll remember all your advice: I'll watch my diet, go to the dentist twice a year, keep my nose clean, ...
[...]
See more »

Connections

Referenced in Hollywood Hist-o-Rama: Carole Lombard (1961) See more »

Soundtracks

My Gal Sal
(1905) (uncredited)
Written by Paul Dresser
Played on a phonograph in Lil's room, twice
See more »

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User Reviews

 
This precode has a little bit of everything
26 November 2009 | by AlsExGalSee all my reviews

This one has a prostitute trying to go straight, a tough-talking cab driver whose harsh words hide a heart of gold, and there is even a murder tucked away in the plot.

The story opens on prostitute Mae(Carole Lombard) being escorted to a train that will take her out of New York City - a condition of her not serving jail time for street walking is that she leave town. As soon as the police are gone she gets right off the train. Having no money, she has to ditch Jimmy Doyle (Pat O'Brien), the cabby that takes her back into the city, without paying him. However, Mae is a woman without options, not a woman who is basically dishonest, so as soon as she has the money she pays Jimmy the fare, although at the worst possible time - watch the film to see what I'm talking about.

Jimmy and Mae hit it off and even get married, but they're basically two people looking for love that have two big problems. Mae can't take back her past, and Jimmy can't - with dignity - take back the words he has said about him being all-knowing when it comes to "dames", especially after he learns of his wife's past occupation at a most inopportune time. From that point forward the two have a good relationship on the surface, but underneath Jimmy always has his doubts as to whether Mae's past is really behind her, and Mae feels like she's on probation. Then something comes up that brings all of these feelings to the surface.

Mayo Methot plays Lil Blair, an aging woman of the streets and friend to Mae whose boyfriend Toots is more than happy to have Lil support him and more than unhappy when she can't come up with quite enough money to keep him in race track forms. Lil winds up playing a bigger part in the whole story than her small amount of screen time would make you believe.

This fast moving little precode with heart is everything that the best precodes of the early 30's should be. Many of the precodes that came out of Columbia in the early 30's had a paint-by-numbers feel about them, like they were just going through the motions. This one has very good performances by the entire cast and a storyline that draws you into the everyday lives of these not so everyday people.


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