After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
As Fritz Lang made this film before the Nazis came to power, it might be considered as the first anti-Nazi propaganda film. As soon as they did come to power, the film was banned, and Lang felt it prudent to leave Germany very shortly afterwards. See more »
Hofmeister supposedly scratches Mabuse's name in a window pane of his apartment with a ring, but Hofmeister is not wearing any rings when Division 2-B enter his apartment. See more »
"Magic Fire Music," old man.
You know that one, Müller? That's from "Die Walküre". Those are the girls who carry dead police inspectors directly up to heaven from the Alexanderplatz with a "Hey ho." On horseback.
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Turner Classic Movies broadcast a restored version put together in 2000 from segments in various film archives and distributed by Janis Films. Its length is 3,341 meters and ran 121 minutes. It had no cast or crew credits other than the director. See more »
The film reads like a trainer for all the thrillers that came thereafter: The staring face reminiscent of 'Alien', the scary opening scene, which deserves to be better known, the tough but lovable cop, the haunted (literally) master criminal, the asylum, the heroine with an excuse to get her dress all wet and clingy, the Mae West look-alike, the spooky special effects, the explosions and the fires (real ones not your computer generated rubbish), the shoot out, the chase through the woods, the car chase, the high tech gadgets (using 78 vinyl!). There's even what looks like a placement add (Mercedes, during the car chase). Yes, all the thriller clichés are there but way back in 1933 they weren't clichés. Unfortunately some rather wooden acting by the heroine, Wera Liessem, who seems to be stuck in silent film mode, mars the film.
As for the political overtones, I'm not sure if these were deliberate. Lang's stories about himself were as fantastical as his films, especially the one about being offered the head of the Reich films.
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