After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
The film was banned in Germany, so the world premiere was held on April 21, 1933, in Budapest, Hungary, in its original 124-minute version. See more »
Hofmeister supposedly scratches Mabuse's name in a window pane of his apartment with a ring, but Hofmeister is not wearing any rings when Division 2-B enter his apartment. See more »
"Magic Fire Music," old man.
You know that one, Müller? That's from "Die Walküre". Those are the girls who carry dead police inspectors directly up to heaven from the Alexanderplatz with a "Hey ho." On horseback.
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Turner Classic Movies broadcast a restored version put together in 2000 from segments in various film archives and distributed by Janis Films. Its length is 3,341 meters and ran 121 minutes. It had no cast or crew credits other than the director. See more »
This film's a thriller, a detective story, a ghost story; it has romantic and comic sub-plots, a striking array of sets, some of the first convincing special effects ever used, echoes of other films; and it is not hard to find in it political relevance to today. It's a lot to cram into two hours, and one has to work to follow every twist of the plot, but it is both a rewarding and entertaining experience.
The film draws on an exceptionally wide variety of cinematic styles. There are expressionist moments, and these are particularly striking, but they account for only two or three minutes out of a running time of 120. There are moments when one could almost be in a screwball comedy. And there are moments which come close to social realism it would be interesting to know whether the patients at the mental hospital played themselves. The dominant mode, though, is an anticipation of film noir.
I would, though, counsel against investing too much historical hindsight in this film yes, Fritz Lang did go into exile from the Nazis but it is more the shadow of Weimar than the shadow of Hitler that hovers in the background here.
Not perfect; not an absolute masterpiece: but an occasionally stunning and always stimulating film, which deserves 9 out of 10.
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