The Sign of the Cross (1932)

A Roman soldier becomes torn between his love for a Christian woman and his loyalty to Emperor Nero.

Director:

Cecil B. DeMille (as Cecil B. De Mille)

Writers:

Waldemar Young (screen play), Sidney Buchman (screen play)

Stars:

Fredric March, Claudette Colbert, Elissa Landi

Nominated for 1 Oscar.

Cast

Cast overview, first billed only:
Fredric March	...	Marcus Superbus, Prefect of Rome
Elissa Landi	...	Mercia
Claudette Colbert	...	Empress Poppaea
Charles Laughton	...	Emperor Nero Claudius Caesar
Ian Keith	...	Tigellinus
Arthur Hohl	...	Titus
Harry Beresford	...	Favius Fontelas
Tommy Conlon	...	Stephan
Ferdinand Gottschalk	...	Glabrio
Vivian Tobin	...	Dacia
William V. Mong	...	Licinius / Old Man Carrying Child
Joyzelle Joyner	...	Ancaria (as Joyzelle)
Richard Alexander	...	Viturius
Nat Pendleton	...	Strabo
Clarence Burton	...	Servillius

Storyline

After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena. Two old Christians are caught, and about to be hauled off, when Marcus, the highest military official in Rome, comes upon them. When he sees their stepdaughter Mercia, he instantly falls in love with her and frees them. Marcus pursues Mercia, which gets him into trouble with Emperor (for being easy on Christians) and with the Empress, who loves him and is jealous.

---

Plot Keywords:

pre code film | gold coin | wine | silver coin | italy | 

---

Taglines:

A picture which will proudly lead all the entertainments the world has ever seen

---

Genres:

Drama | History

---

Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

10 February 1933 (USA)

Also Known As:

El signo de la cruz

Filming Locations:

Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA

Company Credits

Production Co:

Paramount Pictures

Technical Specs

Runtime:

122 min (without intermission) 125 min (original)

Sound Mix:

Mono (Western Electric Noiseless Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Paramount Pictures still had costumes from Cecil B. DeMille's The Ten Commandments (1923), and he was offered the chance to use them, along with standing sets, free of charge to keep production costs down.

---

Goofs

Nero's pet dogs are two Arabian Salukis, one of the few modern breeds that can trace its lineage to ancient times. However, that particular breed was unknown in Europe until the 12th Century, when returning Crusaders introduced them for the first time.

---

Quotes

Emperor Nero: My head is splitting... the wine last night, the music... the delicious debauchery!

---

Alternate Versions

EMKA Limited (the film's current owner) and American Movie Classics restored and preserved the original full-length version in 1994 and is available on video. This restored version runs 125 minutes (including a 3-minute intermission).

---

Connections

Referenced in The Omen Legacy (2001)

---

Soundtracks

Ancaria's Song and Dance (The Naked Moon)
(1932) (uncredited)
Music by Rudolph G. Kopp
Lyrics by Sidney Buchman
Played at the orgy and danced and sung by Joyzelle Joyner

User Reviews

The Wages of Sin are Quite Entertaining

Cecil B. DeMille was famous for the excesses he depicted on screen, and "The Sign of the Cross" has enough excess for a dozen movies by any other director. Fortunately, DeMille loved to detail the debauchery that warranted divine punishment, because he was more adept and entertaining when portraying orgies than he was when depicting piety. Perhaps sin is intrinsically more interesting than virtue. Certainly the sinful characters, especially Charles Laughton as Nero and Claudette Colbert as Poppaea, are riveting and colorfully conceived. Laughton lolls around on his divans, while alluring slave boys attend to his whims. Colbert lures and tempts lovers when not catering to her bare flesh in a milk bath. Bloody gladiatorial games and the obligatory feeding Christians to the wild beasts keep the proceedings on track, and an erotic Lesbian dance enlivens an otherwise dragging orgiastic gathering. Orgies can be difficult to film because the delights are far more evident to participants than they are to viewers. Perhaps every orgy needs a Lesbian dance.

Unfortunately, DeMille felt compelled to throw away screen time on a group of early Christians, whose idea of a good time was to sit on rocks, sing tuneless songs, and listen to a motivational speaker. Naturally, the improbably named Marcus Superbus, played by Frederic March in a fetching mini-skirt and tight curls, falls in love with Mercia, a bland, but virginal, Elissa Landi, and he rejects the advances of the milky, silky Claudette Colbert, who had been around the Colosseum a few times. Of course, March not only rejects Colbert, but risks losing the endless parties and his own rising career for the touch of Landi's soft hand. "The Sign of the Cross" is hardly convincing drama despite the lure of Romans sinning every way, everywhere, and with everybody.

If the corny dialog and stilted scenes of pious proceedings had been severely cut and Laughton's and Colbert's roles had been brought to center focus, the film would have been a delicious camp spectacle. However, as the film now plays, viewers must patiently wait out the dull-as-drying-paint scenes with Landi and company to savor the sinful delights of Nero and Poppaea, which make "The Sign of the Cross" worth a look and a hoot or two.