Two days before Marian and Ned are to be married, he is killed by the husband of a woman he was seeing on the side. Marian becomes withdrawn and they send her to the Canadian Rockies for ... See full summary »
Alfred E. Green,
A poor but honest and hardworking waitress from way across the tracks meets and falls in love with a college student from the upper-stuffy class, but the Mama of the intended objects to the romance. Her objections even lead her to having the waitress framed and sent to a prison work-farm for three months. Upon her release, the waitress finds instant stardom in the show business...and the social class she was lacking. Big Mama withdraws her objections.Written by
Les Adams <firstname.lastname@example.org>
Even the original movie in 1932 had sequences deleted in Columbia's attempt to gain a seal of approval from the Hays office. "Variety" noted in its review of 5 April 1932 that there were sections "that do not blend into the story smoothly, sequences that hang in the air lacking background and significance as though passages depending on them had been deleted." See more »
When Kitty and David are parked next to the golf course, the windshield on his car is struck with a ball, causing it to crack on Kitty's side. In the next scene where they are parked and his mother and the judge pull abreast of them, the windshield is intact. See more »
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Working class heroine Barbara Stanwyck is tough as nails as she spits in "decent society's" face rather than buckle to bribe or threat as a waitress in an other side of the tracks romance with a med student in Shopworn.
The son of an overly possessive mother, David Livingston falls hard for tip chaser Kitty Lane at a local greasy spoon. Clinging mom is not about to let this happen and she wastes no time in exercising her considerable pull in getting a big time judge relative to send her to the slammer for 90 days on morals charges. Upon release Kitty goes on stage and makes it big. Six years later she runs into David, now a doctor again along with his mother still intent on keeping a firm grip on him.
There is some very ugly abuse of power that takes place in Shopworn as the son obsessed mother badgers the judge to do her corrupt bidding in getting Kitty out of the way. There are also swipes at law enforcement, the penal system and polite society, with Kitty being an ideal lynch pin for such actions. As Kitty, Stanwyck does an excellent job of vociferously exposing hypocrisy, especially in the scene where she is bribed and threatened as she throws the money in the judge's face and berates the police. The ending is contrived however and the sickeningly sweet finale is hard to swallow. Babs is too good for the lot of 'em. Mom and son (a wincingly woosie performance by Regis Toomey) don't deserve to be in the same room as her.
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