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Scarface (1932)

PG | | Action, Crime, Drama | 9 April 1932 (USA)
An ambitious and nearly insane violent gangster climbs the ladder of success in the mob, but his weaknesses prove to be his downfall.

Directors:

Howard Hawks, Richard Rosson (co-director)

Writers:

Armitage Trail (based on the novel by), Ben Hecht (screen story) | 6 more credits »
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2 wins. See more awards »

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Cast

Complete credited cast:
Paul Muni ... Tony Camonte
Ann Dvorak ... Cesca Camonte
Karen Morley ... Poppy
Osgood Perkins ... Johnny Lovo
C. Henry Gordon ... Police Inspector Guarino
George Raft ... Guino Rinaldo
Vince Barnett ... Angelo
Boris Karloff ... Tom Gaffney
Purnell Pratt ... Mr. Garston - Publisher
Tully Marshall ... Managing Editor
Inez Palange Inez Palange ... Tony's Mother
Edwin Maxwell ... Detective Chief
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Storyline

Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command, and is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may be... Written by Huggo

Plot Summary | Plot Synopsis


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

9 April 1932 (USA) See more »

Also Known As:

Scarface, the Shame of the Nation See more »

Company Credits

Production Co:

The Caddo Company See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Johnny Lovo like Don Corleone in "The Godfather" is based mainly or partly upon the urbane and "reasonable" Johnny Torrio, who brought Capone to Chicago from Brooklyn just as Lovo imported Camonte. Torrio was not shot dead at his protege's behest but retired from the rackets after being shot--some allege (and others dispute) by Capone. See more »

Goofs

In the alternate ending, Tony is sentenced to hang December 10, 1931. The method of execution in Illinois in 1931 was electrocution. The last judicial hanging in Illinois occurred in 1928. See more »

Quotes

Insp. Ben Guarino: I told you you'd show up this way. Get you in a jam without a gun and you squeal like a yellow rat. Come on, climb into this
[handcuffs]
See more »

Crazy Credits

"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »

Alternate Versions

Due to censorship requirements in several states, a second ending was shot after the film was finished, in which Camonte doesn't try an escape, but is sentenced to death and finally executed on the gallows. This alternate ending was shown only during the original 1932 theatrical run in certain states. All prints, home video, and television versions in current circulation use director Howard Hawks' ending, in which Camonte tries to escape and is shot down. The DVD includes the alternate ending as a bonus feature. See more »

Connections

Spoofed in The Sopranos: 46 Long (1999) See more »

Soundtracks

St. Louis Blues
(1914)
Written by W.C. Handy
Played by Gus Arnheim and His Orchestra for dancing
See more »

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User Reviews

 
Arguably superior to De Palma's remake
8 November 2004 | by tghoneycSee all my reviews

Many purists would jump at this as being the definitive "Sacrface," but so much had changed in the fifty-one years between the two movies that it is nearly impossible. Whereas the Al Pacino cult classic spanned close to three hours and included almost every imaginable cause of death, this version is a mere hour and a half, give or take a few minutes, and unlike the remake, takes place entirely in Chicago.

Made as an anti-gangster film, with a message buried under the many bodies that pile up, this is a surprisingly brutal movie for its time, and got a reputation as such. This was just before the so-called "Golden Age" of cinema, and in a time like that, chances are a movie this unapologetic wouldn't get made. But it is a masterful gangster film.

Paul Muni is Tony Camonte, a pseudo-Capone psycho who believes in doing the dirty work himself, is a sleazebag. He talks in a lisp that holds him apart from the gangsters of Cagney and Bogart as a man who, even then, seems ethnic. To boot, his "secretary" is an immigrant who is only semi-literate and can't hear people well on the phone. Boris Karloff shows up as an Irish gangster, Gaffney, who falls under Camonte's gun. Aside from an entire segment where Camonte goes seemingly from point A to point B with the same tommy gun and kills off the competition, this is a brilliant milestone in the gangster genre, and probably the best of the era. Even now, it proves what people could accomplish by mere suggestion, sparing much of the language that is in movies (and, indeed, used in real life) today.


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