Scarface (1932)

An ambitious and nearly insane violent gangster climbs the ladder of success in the mob, but his weaknesses prove to be his downfall.

Directors:

Howard Hawks, Richard Rosson (co-director)

Writers:

Armitage Trail (from the book by), Ben Hecht (screen story by)

Stars:

Paul Muni, Ann Dvorak, Karen Morley

2 wins.

Cast

Complete credited cast:
Paul Muni	...	Tony
Ann Dvorak	...	Cesca
Karen Morley	...	Poppy
Osgood Perkins	...	Lovo
C. Henry Gordon	...	Guarino
George Raft	...	Rinaldo
Vince Barnett	...	Angelo
Boris Karloff	...	Gaffney
Purnell Pratt	...	Publisher
Tully Marshall	...	Managing Editor
Inez Palange	...	Tony's Mother
Edwin Maxwell	...	Detective Chief

Storyline

Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command, and is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may be...

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Plot Keywords:

prohibition | organized crime | drive by shooting | gang war | gangster | 

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Taglines:

HOWARD HUGHES' WHITE-HOT THUNDERBOLT of DRAMA! (print ad - Lubbock Evening Journal- Chief Theatre - Lubbock, Texas - May 28, 1947 - mostly caps)

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Genres:

Action | Crime | Drama | Film-Noir | Thriller

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Certificate:

PG

Did You Know?

Trivia

According to Howard Hawk's biography by Todd McCarthy, Harold Lloyd's brother Gaylord Lloyd lost an eye to a bullet fragment when visiting the set while live ammunition was being used.

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Goofs

When the Northside guys throw a body out of the car, it lands face down, but when Tony and the others look at the body, it is face up.

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Quotes

Tony Camonte: [smashes the window] Just changing the name on the door.

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Crazy Credits

"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it?

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Alternate Versions

Due to censorship requirements in several states, a second ending was shot after the film was finished, in which Camonte doesn't try an escape, but is sentenced to death and finally executed on the gallows. This alternate ending was shown only during the original 1932 theatrical run in certain states. All prints, home video, and television versions in current circulation use director Howard Hawks' ending, in which Camonte tries to escape and is shot down. The DVD includes the alternate ending as a bonus feature.

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Connections

Featured in Diagram for Delinquents (2014)

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Soundtracks

Wreck of the Old 97
Written by G. B. Grayson and Henry Whitter
Sung by Ann Dvorak to George Raft

User Reviews

Say Hello to the Original Scarred Madman...

The early 1930's produced a whirlwind of mobster films, commenting on the real-life problem of organized crime throughout Prohibition America. LITTLE CAESAR and PUBLIC ENEMY were the first significant films of the genre, but not until Howard Hawks tour-de-force smash, SCARFACE, did the public get to see what was going on. Hawks' film came out in 1932 and has been a mainstay in filmmaker's minds and fans alike ever since. Scorsese, Coppola, and especially De Palma, have all drawn inspiration (and the '83 remake) from Hawks and Ben Hecht, the picture's screenwriter. Paul Muni was loosely based on Al Capone, and SCARFACE begins with yet another message to the government telling them to get off their butts and rid the country of Tony Carmontes everywhere. I think the picture works more as brutal, realistic entertainment than moral message. In hindsight, SCARFACE made it all look fun.

This searing flick looks so spooky and dark, you truly get the feeling of the real "underworld" and how uncompromising it was and still is. Some brilliant images grace the screen: the passage of dates on a calendar by machine gun; Muni's gruesome scar; an opening murder scene done with such subtly the mere sound of Muni's whistle triggers doom; a sideshow of possible incest between "Tony" and his tortured sister. No joke. It appears almost blatantly in varying scenes of building jealousy and murder. Many of the elements show up in De Palma's remake, such as the sister, her relationship with Tony's best friend, and his disapproving mother. The original packs more substance into a shorter film and is clearly better than the flashy remake (which I also loved).

This was one of Howard Hawks' 1st films and he continued to make pictures that differed so completely, one after the other. SCARFACE is his landmark film, a must-see that was considered by many to be unreleasable to the audiences of 1932. It is a predictable rise and fall portrait of a brooding goon, however the techniques and blunt force of the film make you come back for more. Watch it before the Pacino remake and see what you think. They are excellent representatives of Hollywood storytelling then and now. Keep an eye out for a svelte Boris Karloff in civilian clothing (a rarity) as a sinister enemy of the scarred one. He rolls quite a memorable strike in a bowling alley. A masterpiece of character, story, mood, and bullets flying.

RATING: 10 of 10

Details

Country:

USA

Language:

English

Release Date:

9 April 1932 (USA)

Also Known As:

Scarface

Filming Locations:

Metropolitan Studios - 1040 N. Las Palmas Avenue, Hollywood, Los Angeles, California, USA

Box Office

Cumulative Worldwide Gross:

$1,308,000

Company Credits

Production Co:

The Caddo Company

Technical Specs

Runtime:

93 min 88 min (re-release) (re-release) (re-edited)

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1