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East of Shanghai (1931)

Rich and Strange (original title)
Not Rated | | Comedy, Romance, Thriller | 13 June 1932 (UK)
Believing that an unexpected inheritance will bring them happiness, a married couple instead finds their relationship strained to the breaking point.

Director:

Writers:

(novel), (adaptation) | 2 more credits »
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Cast

Complete credited cast:
... Fred Hill
... Emily Hill
... Commander Gordon
... The Princess
... The Old Maid
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Storyline

Fred and Emily Hill are leading a boring life in London. They receive a big inheritance by a rich relative and now they can realize all their dreams. They leave for a cruise behaving as rich people....but this is the beginning of the end. Richness makes they soon forget their love and family. Written by Claudio Sandrini <pulp99@geocities.com>

Plot Summary | Plot Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 June 1932 (UK)  »

Also Known As:

East of Shanghai  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

(Ontario)

Sound Mix:

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

The film was adapted by Hitchcock, his wife Alma Reville, and Val Valentine from a novel by Dale Collins. See more »

Goofs

As Emily and Commander Gordon are riding in a car together, when they are both in the picture they are close to each other but when only one is in the picture, they seem to be farther apart as if the other is no longer there. See more »

Quotes

[first lines]
Fred Hill: Hello Em.
Emily Hill: Hello Fred. I think you'll like me in this dress when it's done. Oh, have you broken your umbrella?
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Connections

Referenced in My Weekly Bond: Hitchcock Reviews: Rich and Strange (2013) See more »

Soundtracks

Klytemnestra Valse
(uncredited)
Music by Adolf Lotter
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Frequently Asked Questions

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User Reviews

 
Purest Expression of Hitchcock's Romance Formula
18 September 2004 | by See all my reviews

This movie is interesting to me because of it's concentrating on Hitchcock's romance formula which runs through most of his films. In this film it IS the story. Hitch's recurring theme of romance is the partnership of man & woman; the way that partnership is formed, renewed & nurtured. I have always liked his concept of love & romance. It greatly enriches his films. It is a truer & nobler view of this part of life than is usually seen. I like to think that it mirrors the relationship of him & his wife (billed in the titles as Alma Reville; her maiden name). There is certainly more than a hint of things to come. The hero obsesses in much the way as the master did over several of the women he made stars of. I would imagine that Alma had to play much the same role as Joan Barry at some point. Oh well, Hitch was Hitch. He was supposed to be a cruel practical joker too. The movie starts out way too slow for modern audiences. Hang in there or fast forward if you can't stand it. The structure is quite interesting in that it is a hybrid of the silent & sound movie. The first sequence is silent & music is cleverly used in the bit with the umbrellas. All thru the movie portions are silent with faux sync or other tricks. Sometimes the sound quality is awful but bear in mind that getting ANY sound at all was a technical feat in those days. Could probably be cleaned up with Cakewalk (sound program) or similar. Somebody should make the effort. The film lab work too is less than stellar. I have worked the film labs & I really think some of the footage was developed in strong British tea. All in all a quirky & somewhat dated film but good for those who are studying the master.


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