Seeking shelter from a storm, five travelers are in for a bizarre and terrifying night when they stumble upon the Femm family estate.Seeking shelter from a storm, five travelers are in for a bizarre and terrifying night when they stumble upon the Femm family estate.Seeking shelter from a storm, five travelers are in for a bizarre and terrifying night when they stumble upon the Femm family estate.
- Awards
- 1 nomination total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis was Boris Karloff's first credited starring role. His name had been left off the Frankenstein (1931) publicity packages and only credited in the end credits of that film.
- GoofsOne of Gloria Stuart's elaborate earrings is missing about mid-film, it reappears for 2 close up shots and disappears again in medium and long shots.
- Quotes
Rebecca Femm: [feels the fabric of Margaret Waverton's low-cut gown] Fine stuff, but it'll rot.
Rebecca Femm: [touches Margaret's skin above the neckline] Finer stuff still, but it'll rot too!
- Crazy creditsBefore the Universal Pictures logo: PRODUCER'S NOTE: - Karloff, the mad butler in this production, is the same Karloff who created the part of the mechanical monster in "Frankenstein". We explain this to settle all disputes in advance, even though such disputes are a tribute to his great versatility
- ConnectionsEdited into Pale Moonlight Theater: The Old Dark House (2015)
- SoundtracksSingin' in the Rain
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Sung by Melvyn Douglas a cappella, with modified lyrics
[Penderel sings the song in the car as the he and the Wavertons make their way on the washed out road]
Featured review
Director James Whale and his cast probably had a good time making this film. After the opening credits there's a "producer's note": 'Karloff, the mad butler in this production, is the same Karloff who created the part of the mechanical monster in "Frankenstein". We explain this to settle all disputes in advance, even though such disputes are a tribute to his great versatility.'
So you're know what you're in for, at least modern audiences should. Back then it must have been quite daring to openly "expose" and perhaps even undermine the potential scariness of the film, especially Karloff's role as the butler. I think many executives at Universal frowned upon this as well, in particular Carl Laemmle Sr., but Carl Laemmle Jr. probably shared the same kind of humor as Whale, so they let him get away with it.
The film is very loyal to J.B. Priestley's novel "Benighted" and took most of the wonderful dialogs and one-liners directly from the book. As one would expect from James Whale en co, the sharply written dialog is definitely one of the highlights with the best lines being handed to Thesiger, as in THE BRIDE OF FRANKENSTEIN. This supposedly being a send-up of Universal's horror conventions, it's not particularly engaging as a horror film. Eerie things do happen, absolutely, but they are so bizarre and sometimes so utterly over the top, that you either stop caring about the characters or simply lose track of the proceedings at all. But no complaints about the acting, especially the incomparable Ernest Thesiger who is a standout in a first rate cast. And the sets and photography are absolutely superb as is the whole atmosphere in general, largely due to the continuously (and well timed) stormy soundtrack, which greatly adds to the fun.
Many have pointed out that Whale presents us some kind of parody of the horror movie or some kind of archetypal English household. This seems a very modern, almost anachronistic vision to me. What things did he attempt to mock or make fun of? Essentially THE OLD DARK HOUSE is a well acted sometimes very funny stagy farce with a horror atmosphere at best. He certainly had the last laugh because he probably never intended it that way, although most of the critical acclaim came after his death.
A final note on the Special Collector's Edition DVD: Besides the obligatory stills gallery, nothing of particular interest. A six-minute interview with Curtis Harrington about him saving the original copy of the film. Good thing he did it but that's all we need to know. And truly worthless commentary tracks, James Curtis comments like he's reading a list with all kinds of facts about the movie. Suitable for a booklet, not for an audio commentary.
Camera Obscura --- 8/10
So you're know what you're in for, at least modern audiences should. Back then it must have been quite daring to openly "expose" and perhaps even undermine the potential scariness of the film, especially Karloff's role as the butler. I think many executives at Universal frowned upon this as well, in particular Carl Laemmle Sr., but Carl Laemmle Jr. probably shared the same kind of humor as Whale, so they let him get away with it.
The film is very loyal to J.B. Priestley's novel "Benighted" and took most of the wonderful dialogs and one-liners directly from the book. As one would expect from James Whale en co, the sharply written dialog is definitely one of the highlights with the best lines being handed to Thesiger, as in THE BRIDE OF FRANKENSTEIN. This supposedly being a send-up of Universal's horror conventions, it's not particularly engaging as a horror film. Eerie things do happen, absolutely, but they are so bizarre and sometimes so utterly over the top, that you either stop caring about the characters or simply lose track of the proceedings at all. But no complaints about the acting, especially the incomparable Ernest Thesiger who is a standout in a first rate cast. And the sets and photography are absolutely superb as is the whole atmosphere in general, largely due to the continuously (and well timed) stormy soundtrack, which greatly adds to the fun.
Many have pointed out that Whale presents us some kind of parody of the horror movie or some kind of archetypal English household. This seems a very modern, almost anachronistic vision to me. What things did he attempt to mock or make fun of? Essentially THE OLD DARK HOUSE is a well acted sometimes very funny stagy farce with a horror atmosphere at best. He certainly had the last laugh because he probably never intended it that way, although most of the critical acclaim came after his death.
A final note on the Special Collector's Edition DVD: Besides the obligatory stills gallery, nothing of particular interest. A six-minute interview with Curtis Harrington about him saving the original copy of the film. Good thing he did it but that's all we need to know. And truly worthless commentary tracks, James Curtis comments like he's reading a list with all kinds of facts about the movie. Suitable for a booklet, not for an audio commentary.
Camera Obscura --- 8/10
- Camera-Obscura
- Jun 6, 2006
- Permalink
Details
Box office
- Gross US & Canada
- $25,678
- Gross worldwide
- $34,649
- Runtime1 hour 12 minutes
- Color
- Aspect ratio
- 1.37 : 1
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