6.7/10
591
9 user 10 critic

Night at the Crossroads (1932)

La nuit du carrefour (original title)
A gang of thieves utilizes a cross-road garage as the hideaway. During their last caper, the gang has accidentally murdered a jewel thief, and the heat is on.

Director:

Jean Renoir

Writers:

Georges Simenon (novel), Jean Renoir (adaptation)
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Cast

Complete credited cast:
Pierre Renoir ... Le commissaire Maigret
Georges Térof Georges Térof ... Lucas (as G. Terof)
Winna Winifried Winna Winifried ... Else Andersen (as Winna Winfried)
Georges Koudria Georges Koudria ... Carl Andersen (as George Koudria)
Dignimont Dignimont ... Oscar
G.A. Martin G.A. Martin ... Granjean (as Martin)
Michel Duran Michel Duran ... Jojo
Jean Gehret Jean Gehret ... Emile Michonnet (as Gehret)
Boulicot Boulicot ... Un gendarme
Max Dalban Max Dalban ... Le docteur (as Dalban)
Roger Gaillard Roger Gaillard ... Le boucher (as Gaillard)
Jean Mitry Jean Mitry ... Arsène
Jane Pierson Jane Pierson ... Mme Michonnet
Manuel Raaby ... Guido (as Rabby)
Lucie Vallat Lucie Vallat ... Michelle, la femme d'Oscar
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Storyline

A gang of thieves utilizes a cross-road garage as the hideaway. During their last caper, the gang has accidentally murdered a jewel thief, and the heat is on.

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Mystery

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Details

Country:

France

Language:

French | Danish

Release Date:

5 June 1932 (USA) See more »

Also Known As:

Ночь на перекрёстке See more »

Company Credits

Production Co:

Europa Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(DVD)

Sound Mix:

Mono (Western Electric)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

The first of the many films to be adapted from a Maigret novel by Georges Simenon. See more »

Connections

Edited into Histoire(s) du cinéma: Une histoire seule (1989) See more »

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User Reviews

 
enigmatic Renoir
17 December 2010 | by cstotlar-1See all my reviews

This is a wonderful early look on film based on a crime novel by Georges Simenon. The novel itself is uncharacteristically atmospheric and deliberately unfocused and this was handled beautifully by Jean Renoir with his fog-enshrouded sets and atmosphere. It is missing a reel, as I understand, but the novel itself has sufficient ambiguity to forgive any omission of that sort. The acting, with its melange of accents is fascinating in its own way. The visuals win the day. It's beautiful to look at, exotic and definitely a one-of-a-kind of its genre and hardly "inept".

Curtis Stotlar


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