In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman.Written by
Jeremy Lunt <firstname.lastname@example.org>
Unlike the other Universal classic monsters, the other Mummy movies have no direct relation to this one. The other films feature a different mummy named Kharis who is resurrected by tana leaves to be controlled by a modern person (similar to a voodoo zombie). The Mummy's Hand (1940) reuses footage from this film, but changes Imhotep to Kharis. It was Kharis that would appear in the other Universal films and Hammer remakes. Imhotep wouldn't reappear in theaters until The Mummy (1999). See more »
In the flashback scenes of Imhotep being mummified, his legs are bandaged together. They are still bound together in long shots of the mummy in his sarcophagus (which was a dummy). But when he comes to life, his legs are bandaged separately, allowing him to walk. See more »
Burn the scroll, man. Burn it! It was through you this horror came into existence.
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Henry Victor, officially credited as The Saxon Warrior, never appears in the film because his scenes were removed from the final cut. See more »
Boris Karloff plays Imhotep, a cursed Egyptian buried alive 3700-years-ago, returns to life to claim the reincarnation of his lost-love in this Universal classic. Moody, understated and succinct, The Mummy is one of the best films from Universal's classic horror period. Although much of the success can be credited to first time director Karl Freund, who normally worked as a top cinematographer, and the brilliant make-up artist Jack P. Pierce, it is Boris Karloff who gives the film its resonance. As he previously did with the Frankenstein monster, Karloff imbues this character with an aching sense of humanity which was completely absent later incarnations of the Mummy character. Credit must also be given to the able supporting cast including Zita Johann and the always reliable Edward Van Sloan. Now here's a question. Is the film scary by today's standards? I guess I'd have to say not really. However, I just watched this film again after seeing the American version of 'The Grudge.' 'The Grudge' certainly had me jumping more, but which film did I enjoy more? It'd have to be 'The Mummy.'
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