In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman.Written by
Jeremy Lunt <firstname.lastname@example.org>
Boris Karloff remarked years later that the make-up he wore for "The Mummy" was even more uncomfortable than that of the Frankenstein creature. The trouper was---however---known to secretly relish such discomfort. See more »
When Muller shows Frank the Isis charm in the car, the close-up is a reused shot from earlier, which does not match the way Muller hold the charm in the longer shots. See more »
Put it back. Bury it where you found it. You have read the curse. You dare defy it?
Sir Joseph Whemple:
In the interest of science, even if I believed in the curse, I'd go on with my work for the museum. Come back with me, and we'll examine this great find together.
I cannot condone an act of sacrilege with my presence.
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The credit begins over a rotating model of the Pyramids site, then the main title 'The Mummy' is made with 3D rock letters on the side of a pyramid. See more »
Although frequently reinterpreted, the original 1932 THE MUMMY remains the most intriguing film version of a story inspired by both 1920s archaeological finds and the 1931 Bela Lugosi Dracula: when an over-eager archaeologist reads an incantation from an ancient scroll, he unexpectedly reanimates a mysterious mummy--who then seeks reunion with the princess for whom he died thousands of years earlier and ultimately finds his ancient love reincarnated in modern-day Egypt.
Less a typical horror film than a Gothic romance with an Egyptian setting, THE MUMMY has few special effects of any kind and relies primarily upon atmosphere for impact--and this it has in abundance: although leisurely told, the film possesses a darkly romantic, dreamlike quality that lingers in mind long after the film is over. With one or two exceptions, the cast plays with remarkable restraint, with Boris Karloff as the resurrected mummy and Zita Johann (a uniquely beautifully actress) standouts in the film. The sets are quite remarkable, and the scenes in which Karloff permits his reincarnated lover to relive the ancient past are particularly effective.
Kids raised on wham-bam action and special effects films will probably find the original THE MUMMY slow and uninteresting, but the film's high quality and disquieting atmosphere will command the respect of both fans of 1930s horror film and the more discerning viewer. Of all the 1930s Universal Studio horror films, THE MUMMY is the most subtle--and the one to which I personally return most often.
Gary F. Taylor, aka GFT, Amazon Reviewer
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