7.6/10
3,360
53 user 32 critic

Love Me Tonight (1932)

A Parisian tailor finds himself posing as a baron in order to collect a sizeable bill from an aristocrat, only to fall in love with an aloof young princess.

Director:

Rouben Mamoulian

Writers:

Samuel Hoffenstein (screen play), George Marion Jr. (screen play) | 3 more credits »
Reviews
1 win. See more awards »

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Cast

Complete credited cast:
Maurice Chevalier ... Maurice
Jeanette MacDonald ... Princess Jeanette (as Jeanette Mac Donald)
Charles Ruggles ... Viscount Gilbert de Varèze (as Charlie Ruggles)
Charles Butterworth ... Count de Savignac
Myrna Loy ... Countess Valentine
C. Aubrey Smith ... Duke d'Artelines
Elizabeth Patterson ... First Aunt
Ethel Griffies ... Second Aunt
Blanche Friderici ... Third Aunt (as Blanche Frederici)
Joseph Cawthorn ... Dr. Armand de Fontinac (as Joseph Cawthorne)
Robert Greig ... Major Domo Flammand
Bert Roach ... Emile
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Storyline

When Parisienne tailor Maurice Courtelin learns that one of his aristocratic clients, the Viscount Gilbert de Varèze, is a deadbeat who never pays for the merchandise he acquires, he heads off to try and collect what is owed to him. He gets little in the way of cash from the Viscount who is desperate that his uncle, the Duke D'Artelines not learn of his debts. He suggests that Maurice spend a little time at the chateau until the money can be found. The Duke takes an immediate liking to Maurice - who's been introduced as a Baron - but that's not the case for the Princess Jeanette who, after an encounter with him him on the road earlier that day. Over time Jeannette falls in love with him Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

Warm Love! Hilarious fun! Sweet music! Hot lyrics! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

14 October 1932 (Germany) See more »

Also Known As:

Ama-me Esta Noite See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (TCM print)

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

According to her autobiography, Myrna Loy was originally going to wear white empire-style dress for the party sequence, but Jeanette MacDonald was jealous of how she looked insisted that she had to wear it herself instead. Loy surrendered the dress, but then went down the to the costume room and, with a friend's help, put together the black lace outfit she wears in the final film. She stole the scene. See more »

Goofs

The lighting on Jeanette during the balcony scene. See more »

Quotes

Dr. Armand de Fontinac: You're not wasting away, you're just wasted.
See more »

Alternate Versions

The reissue version, released after the Hays Code went into effect in 1934, omitted Myrna Loy's reprise of "Mimi", because while she sang it she was wearing a suggestive nightgown. Several other potentially suggestive moments were also cut and have never been restored. See more »


Soundtracks

That's the Song of Paree
(1932) (uncredited)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Sung by Maurice Chevalier, Marion Byron, George 'Gabby' Hayes and chorus
See more »

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User Reviews

Chevalier favorite
25 September 2011 | by misctidsandbitsSee all my reviews

I have watched this movie in part several times, but caught it tonight on TCM or from my DVR of a recent showing. It is a special one, and was interested in checking out these magnificent sets created for it. They were wonderful.

Liked Chevalier in this particularly. I agree with the reviewer who finds Jeannette McDonald's singing a bit of a trial. I don't care for most opera type singing. Get ready for some corn here: Was reminded of something Andy Griffith said about opera singing (from a comic recording), "Some people say opera is just hollerin', and it is; but it's high class hollerin'." It comes across that way to me. That quote may offend the cinematic detail oriented enthusiasts of this film - sorry.

However, I have enjoyed a few old operettas, thinking of "Sweet Kitty Bellairs" from 1930 featuring Claudia Dell and Walter Pidgeon. Ms. Dell was easier on the ears than Ms. McDonald. Pidgeon's singing was pleasing, and I found the piece entertaining.

In watching C. Aubrey Smith in this, I thought for the umpteenth time whether he was born an old man. He is always ancient in every movie I have ever seen with him. Actually, his Hollywood films were done in his elderly years. Finally looked him up and found he was born in 1863. Wow. He did London stage, Broadway and came to Hollywood much later. He died in California at age 85.

This is a good film and has interest for its genre. It is probably my favorite Chevalier. It was odd seeing Charles Ruggles in this. They were talking about Myrna Loy during the intro to the movie, saying this film may have begun her being used in something other than the Oriental evil women or vamp types. Only a few people were making the decisions on casting back then in the studio system, and thankfully, they finally broke her out of that old mold and began to find out how engaging she was as a wife and later as a comedienne.

Good film.


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