When Parisienne tailor Maurice Courtelin learns that one of his aristocratic clients, the Viscount Gilbert de Varèze, is a deadbeat who never pays for the merchandise he acquires, he heads off to try and collect what is owed to him. He gets little in the way of cash from the Viscount who is desperate that his uncle, the Duke D'Artelines not learn of his debts. He suggests that Maurice spend a little time at the chateau until the money can be found. The Duke takes an immediate liking to Maurice - who's been introduced as a Baron - but that's not the case for the Princess Jeanette who, after an encounter with him him on the road earlier that day. Over time Jeannette falls in love with himWritten by
This film was selected to the National Film Registry, Libary of Congress, in 1990. See more »
Just before the "Isn't It Romantic?" number begins in the tailor shop, Maurice reacts with pleasure as his customer Emile steps out of the dressing room, supposedly wearing his new suit. But in the mirror's reflection we can see that actor Roach is still wearing his long-johns from earlier in the scene. In the next shot, he is suddenly wearing the suit. See more »
The reissue version, released after the Hays Code went into effect in 1934, omitted Myrna Loy's reprise of "Mimi", because while she sang it she was wearing a suggestive nightgown. Several other potentially suggestive moments were also cut and have never been restored. See more »
This is one incredible charming musical/comedy, from the early '30's. And that coming from a non-musical fan of course says a lot.
It's not a musical with big dance acts, feather costumes, or anything of that sort but just a movie that happens to feature songs in it, which is the sort of musical approach I prefer. The characters would often burst into singing in the middle of the movie, which of course sounds totally ridicules but it's so charming and the songs are so nice that it attributes to what it is that makes this movie so irresistible, joyful and entertaining to watch. This is really not the sort of movie you would expect from the guy who had previously directed "Dr. Jekyll and Mr. Hyde" before this movie.
Maurice Chevalier didn't had the best signing voice, also of course due to his accent and also especially compared to different genre actors from the same time period. Same goes for most of the actors within this movie. But I sort of like that he isn't perfect in his signing. It seems to fit the movie and its style.
The movie has got some nice cheerful innocent humor in it. The great fun but of course simple written script, contributes to the whole fun feeling and atmosphere of the movie.
The movie doesn't necessarily really has a typical '30's style and more seems ahead of its time. It also makes this movie feel less outdated than most others, especially from the same genre, movies.
The cinematography is really amazing at times. It moves a lot, with pans and also zooms. It makes the cinematography in parts pretty original and innovating for its time. The movie also features some other 'tricks', such as split-screen and slow-motion, among other things. Perhaps this has to do with the Russian origin of director Rouben Mamoulian. His style seems more innovating than most of his fellow Hollywood colleagues from the same time period. It all adds to the atmosphere and unique quality of the movie. It of course also helps that the movie is set in France and Paris. It always has been the best backdrop for these sort of movies. There also was obviously put some effort and money into the sets of the movie.
Some real quality entertainment! This is as good as they can get.
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