7.6/10
3,388
53 user 32 critic

Love Me Tonight (1932)

A Parisian tailor finds himself posing as a baron in order to collect a sizeable bill from an aristocrat, only to fall in love with an aloof young princess.

Director:

Rouben Mamoulian

Writers:

Samuel Hoffenstein (screen play), George Marion Jr. (screen play) | 3 more credits »
Reviews
1 win. See more awards »

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Cast

Complete credited cast:
Maurice Chevalier ... Maurice
Jeanette MacDonald ... Princess Jeanette (as Jeanette Mac Donald)
Charles Ruggles ... Viscount Gilbert de Varèze (as Charlie Ruggles)
Charles Butterworth ... Count de Savignac
Myrna Loy ... Countess Valentine
C. Aubrey Smith ... Duke d'Artelines
Elizabeth Patterson ... First Aunt
Ethel Griffies ... Second Aunt
Blanche Friderici ... Third Aunt (as Blanche Frederici)
Joseph Cawthorn ... Dr. Armand de Fontinac (as Joseph Cawthorne)
Robert Greig ... Major Domo Flammand
Bert Roach ... Emile
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Storyline

When Parisienne tailor Maurice Courtelin learns that one of his aristocratic clients, the Viscount Gilbert de Varèze, is a deadbeat who never pays for the merchandise he acquires, he heads off to try and collect what is owed to him. He gets little in the way of cash from the Viscount who is desperate that his uncle, the Duke D'Artelines not learn of his debts. He suggests that Maurice spend a little time at the chateau until the money can be found. The Duke takes an immediate liking to Maurice - who's been introduced as a Baron - but that's not the case for the Princess Jeanette who, after an encounter with him him on the road earlier that day. Over time Jeannette falls in love with him Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

You Could Watch it for Hours and Still Want More!! (Print Ad) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

14 October 1932 (Germany) See more »

Also Known As:

Ama-me Esta Noite See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (TCM print)

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

First film to use a zoom lens See more »

Goofs

Camera shadow on a curtain as it pulls out of a window, as Jeanette sleeps (a little after the "I fell flat on my flute" sequence). See more »

Quotes

Princess Jeanette: Tell me, do you ever think of anything but men, dear?
Countess Valentine: Oh, yes.
Princess Jeanette: Of what?
Countess Valentine: Schoolboys.
See more »

Alternate Versions

The reissue version, released after the Hays Code went into effect in 1934, omitted Myrna Loy's reprise of "Mimi", because while she sang it she was wearing a suggestive nightgown. Several other potentially suggestive moments were also cut and have never been restored. See more »

Connections

Featured in Hooray for Hollywood (1982) See more »

Soundtracks

The Son of a Gun Is Nothing But a Tailor
(1932) (uncredited)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Sung by C. Aubrey Smith, Elizabeth Patterson, Ethel Griffies, Blanche Friderici, Myrna Loy, Robert Greig, Edgar Norton, Cecil Cunningham, Rita Owin and Mel Kalish
See more »

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User Reviews

 
Wonderful, and far ahead of its time
28 February 1999 | by otterSee all my reviews

This is an enchanting film, one of the best musicals of the decade. Maurice Chevalier and Jeanette MacDonald are incredibly appealing in a rich-girl-poor-boy musical romance. It's one of those rare films where the girl runs away from the palace to follow her true love and you *don't* think "wait a minute, you'll never survive out there", no, you want them to be together. The score is enchanting (the big hits being "Isn't it Romantic" and "Lover"), Chevalier is devastatingly attractive, and MacDonald is vulnerably appealing and completely without the annoying primness that marred her later films.

It's also a remarkably well made film for 1932, when most films were just getting used to sound and suffered from a horrible stiffness on the part of the actors and the camera. You'd think this movie was made ten years later, it's lively and sparkling, and directed with a smoothness and originality that's still amazing.


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