Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of ... See full summary »
Edwin, a taxi driver, lives with Annie, a neurasthenic model. They plan to spend Sunday at the Nikolassee beach with Wolfgang, an officer, gentleman, antiquarian, gigolo, at the moment a ... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Georg Wilhelm Pabst
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.
This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "... See full summary »
A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her family finds itself forced to move to Kuhle Wampe, a lakeside camp on the outskirts of Berlin, now home to increasing numbers of unemployed. When Anni's relationship with Franz ends, she moves back to Berlin and gets involved in the workers' youth movement. Written by
DEFA Film Library
This is a great film, an early example of fiction film-making that is responsive to social and political circumstances, but that doesn't get bogged down in the naturalist pessimism of, say, Piel Jutzi's contemporary "Mutter Krausens Fahrt ins Glück." The cinematography may not be the most compelling, but it is sensitive, considered, and bears the mark of Dudow's admiration for Eisenstein. Brecht was only one of the collaborators on the script -- together with the reportage-novelist Ernst Ottwalt, even if he was its most outspoken defender in the censorship proceedings; and the idea for the film was Dudow's, a Bulgarian-born theater and film director who had made one documentary prior to "Kuhle Wampe" and would go on to co-found the East German studio, DEFA.
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