7.4/10
40
4 user 1 critic

Hey, Pop! (1932)

Fatty tries to keep a child from being taken to the Orphan Asylum after being orphaned by his mother only to end up unwittingly in that same Asylum.

Director:

Alfred J. Goulding (as Alf Goulding)

Writers:

Glen Lambert (story), Jack Henley (story)
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Cast

Cast overview:
Roscoe 'Fatty' Arbuckle ... Fatty / Chef
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Storyline

Fatty tries to keep a child from being taken to the Orphan Asylum after being orphaned by his mother only to end up unwittingly in that same Asylum.

Plot Summary | Add Synopsis

Plot Keywords:

slapstick comedy | See All (1) »

Taglines:

Welcome back! Fatty Arbuckle. (Trade paper ad).

Genres:

Short | Comedy

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Details

Country:

USA

Language:

English

Release Date:

12 November 1932 (USA) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Vitaphone production reels #1466-1467. See more »

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User Reviews

 
What a Delight!
3 July 2003 | by RichLovich15See all my reviews

Anyone who is remotely interested in the history of screen comedy, or for that matter, the history of Hollywood's impact on the social landscape of society, should become familiar with Roscoe Arbuckle and his work. His life story is as all encompassing in highs and lows as it is engrossing. One of the most interesting aspects of it was his return to the screen in talking pictures. After the nightmare that his life became, for him to have the courage to step back in front of a camera, with the added challenge of sound, is nothing less than heroic.

Hearing Roscoe speak, with his slight southern accent, adds a wonderful dimension to this film. His character becomes more human and the derivative nature of the plot, (clearly based on Chaplin's "The Kid" as well as taking gags from his own "The Waiter's Ball" and "The Butcher Boy"), becomes less distracting. He is charming, and endearing, and most of all genuinely funny; throwing his bulk around, dressing as a woman, and especially, interacting with Billy Hayes.

This film, along with the other Vitaphone talkies, is a great introduction to this gifted man's work, despite their coming at the end of his career. Watching them may make his silent films more accessible to new comers.

In the end, this is a very enjoyable film.


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