Berlin's plushest, most expensive hotel is the setting where in the words of Dr. Otternschlag "People come, people go. Nothing ever happens.". The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. He ends up stealing her heart instead. Powerful German businessman Preysing brow beats Kringelein, one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. Meanwhile, the Baron also steals the heart of Preysing's mistress, Flaemmchen, but she doesn't end up with either one of them in the end...Written by
Gary Jackson <firstname.lastname@example.org>
When Grusinskaya returns from her second performance, she and her entourage board the left elevator, and the porters carrying her flowers board the right. When they come off the elevator, the porters and flowers are on the same elevator as Grusinskaya. See more »
[talking on the phone in a phonebooth at the Grand Hotel after a brief scene of operators at the switchboard]
Hello? Hello? Hello, is that the clinic? Uh this is Senf; the head porter, Grand Hotel. How's my wife? Is she in pain? Isn't the child coming soon?... Patience? Would you have patience?
[in the next phonebooth]
Uh this is Otto Kringelein. I-i-is that you Heinrich? Oh Heinrich listen, I've got to talk very quickly - with every minute costs two Marks ninety. Y-ya know that will ...
[...] See more »
An der schönen, blauen Donau (On the Beautiful Blue Danube), Op. 314
Music by Johann Strauss
Played during the opening scene in the lobby and at the end See more »
Dated, melodramatic...and MAGNIFICENT
I've seen "Grand Hotel" at least fifteen times -- more than any other '30s film with the possible exception of two other classics: "King Kong" and Astaire and Rogers' "The Gay Divorcee."
Quite a few others reviewers here have commented negatively on this "creaky" old film. They are correct -- it is -- and yet, who cares? It's utterly wonderful!
The whole cast is superb -- charming, desperate, vulnerable John Barrymore; cynical, sad, appealing Joan Crawford; pathetic, whining, irrepressible Lionel Barrymore; coarse, selfish, all-too-humanly cruel Wallace Beery; and of course, the great Greta Garbo. The supporting cast, led by Lewis Stone and Jean Hersholt, are equally good.
Those who criticize Garbo as over-the-top in her portrayal of the prima ballerina are right. She IS over-the-top, AND she is absolutely glorious, whether wallowing in self-pitying, suicidal despair or radiant as the spring with a new love which astonishes and transports her. What a unique, unforgettable screen presence! What a Goddess!
"Grand Hotel" holds this viewer, anyway, entranced from beginning to end. In addition to the superlative acting, the art deco design is stunning and the music always appropriate.
Creaky? You bet. Do they make movies like this anymore? Nope. Do I wish they did? I sure do.
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