A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
- Director
- Writers
- Clarence Aaron 'Tod' Robbins(suggested by story: "Spurs")
- Willis Goldbeck(screenplay)
- Leon Gordon(screenplay)
- Stars
- Director
- Writers
- Clarence Aaron 'Tod' Robbins(suggested by story: "Spurs")
- Willis Goldbeck(screenplay)
- Leon Gordon(screenplay)
- Stars
- Awards
- 2 wins & 1 nomination
Roscoe Ates
- Roscoe
- (as Rosco Ates)
Prince Randian
- The Living Torso
- (as Rardion)
- Director
- Writers
- Clarence Aaron 'Tod' Robbins(suggested by story: "Spurs")
- Willis Goldbeck(screenplay)
- Leon Gordon(screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe on-screen romance between Hans and Frieda was very subdued because the roles were being played by real life brother and sister Harry Earles and Daisy Earles.
- GoofsIn the first shot after the "Wedding Feast" title card, we see Violet Hilton & Daisy Hilton playing soprano saxophones, but we only hear a harmonica being played.
- Quotes
Freaks: We accept you, one of us! Gooble Gobble!
- Alternate versionsReissue prints included a two-and-a-half minute written prologue about historical interpretations and contemporary studies of "misshapen misfits." These same prints remove the MGM Lion (the studio having disowned the film for many years).
- ConnectionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
Review
Featured review
"Living, Breathing Monstrosities.."
Those that have seen either 1930's gangster film, "The Public Enemy" or "Little Caesar" will be familiar with the opening scrawl of the amazing film, "Freaks." In the 1930's it seemed as though the filmmakers had to set up the audience or apologize, in a way, for what they were about to see. The opening, before the title card, explains how "freaks" or human oddities have been treated by society. It tells how such deformed people were shunned from society, but, how they have normal thoughts and feelings just like the rest of us. This truly is the power of this truly moving, funny, very strange, and ultimately frightening film from the "Dark Carnival" mind of director Tod Browning...
No reason to do a summary here, that ruins the experience for new audiences to discover on their own and the rest of the reviewers have all ready done a stellar job, I'm sure, of giving plot synopsis.
Let's say that the average viewer will be stunned at first by the fact that real deformed dwarfs, midgets,siamese twins, and other "oddities" were the actors in this film. And that, in itself, lends the film its mysterious power and casts its spell on the viewer as much now in 2004 as I'm sure it did in the 30's and upon its rediscovery in the 1960's.
The tone of this film varies throughout. At it's center really are several relationships: Hans and his fiancée; Hans and the "Big" Lady, Cleopatra; Frozo the Clown and Venus; Hercules the strong man and Cleopatra, and of course the "Freaks" vs. Hercules and Cleopatra and the special code of the Freaks.
There are several lame 1930's jokes an example: "I thinks she likes you, b-b-b-but h-he don't!" stutters a clown in the circus when the half male/female character walks by Hercules and stops to take a gander. It's a strange, perverse joke and an example of what you're in for with this movie.
The power of the film is within the freaks themselves. We are invited to gawk, stare, but, ultimately sympathize with them. We want to see anyone who threatens them get their comeuppance and boy do they ever get that!
The freak that will freak you out the most: The Living Torso, Radian.
You'll love Frozo and Venus and pull for them throughout.
You'll root for Hans and Frida.
You'll enjoy Rosco the clown's humorous performance.
You'll be truly disturbed by the classic; uber-horror scene of the freaks crawling with knives in the mud in the rain-storm revenge sequence toward the end. Some of the most classic images in all of film not just horror.
I love it when Hans calls other "big" people in the circus who make him angry : "Swine!" He rules.
When the title card: THE WEDDING FEAST comes up you too will be truly FREAKED out! I love this movie and it has quickly become one of my favorites of all time right along-side 1930's classics like Dracula, Frankenstein, etc.
No reason to do a summary here, that ruins the experience for new audiences to discover on their own and the rest of the reviewers have all ready done a stellar job, I'm sure, of giving plot synopsis.
Let's say that the average viewer will be stunned at first by the fact that real deformed dwarfs, midgets,siamese twins, and other "oddities" were the actors in this film. And that, in itself, lends the film its mysterious power and casts its spell on the viewer as much now in 2004 as I'm sure it did in the 30's and upon its rediscovery in the 1960's.
The tone of this film varies throughout. At it's center really are several relationships: Hans and his fiancée; Hans and the "Big" Lady, Cleopatra; Frozo the Clown and Venus; Hercules the strong man and Cleopatra, and of course the "Freaks" vs. Hercules and Cleopatra and the special code of the Freaks.
There are several lame 1930's jokes an example: "I thinks she likes you, b-b-b-but h-he don't!" stutters a clown in the circus when the half male/female character walks by Hercules and stops to take a gander. It's a strange, perverse joke and an example of what you're in for with this movie.
The power of the film is within the freaks themselves. We are invited to gawk, stare, but, ultimately sympathize with them. We want to see anyone who threatens them get their comeuppance and boy do they ever get that!
The freak that will freak you out the most: The Living Torso, Radian.
You'll love Frozo and Venus and pull for them throughout.
You'll root for Hans and Frida.
You'll enjoy Rosco the clown's humorous performance.
You'll be truly disturbed by the classic; uber-horror scene of the freaks crawling with knives in the mud in the rain-storm revenge sequence toward the end. Some of the most classic images in all of film not just horror.
I love it when Hans calls other "big" people in the circus who make him angry : "Swine!" He rules.
When the title card: THE WEDDING FEAST comes up you too will be truly FREAKED out! I love this movie and it has quickly become one of my favorites of all time right along-side 1930's classics like Dracula, Frankenstein, etc.
helpful•7410
- Tom_Powers30
- Aug 9, 2004
Details
- Release date
- Country of origin
- Languages
- Also known as
- Sirkussällskapet
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $310,607 (estimated)
- Gross worldwide
- $4,072
- Runtime1 hour 4 minutes
- Color
- Aspect ratio
- 1.37 : 1
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