Based on the story by Robert Louis Stevenson, Dr. Henry Jekyll believes that there are two distinct sides to men - a good and an evil side. He believes that by separating the two man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug it is already too late...Written by
Mark J. Popp <email@example.com>
The characters of Muriel Carew and her father do not appear in Robert Louis Stevenson's original story. They are based on similar characters created by playwright T.R. Sullivan for his 1887 stage adaptation of the story. See more »
When Mr. Hyde and Ivy sit down in front each other in the Variety Music Hall, the objects on the wall behind them change repeatedly between shots. See more »
Forgive me, my dear. You see, I hurt you because I love you. I want you! What I want, I get!
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Current MGM video version of the film is the 97 minute version. See more »
An exceptional cast and intelligent direction seals the quality of the first 'talkie' version of Robert Louis Stevenson's tale. Often hailed as the best of the many screen adaptations of the story, director Robert Moumalin exploits the symbolic potential of the tale as well as boldly tapping into popular Freudian trends concerning sexual repression. The result is not a by-the-numbers rendition but an effective interpretation with quirks and dimensions of its own. Yet the film belongs to Frederic March who scooped an Oscar for his sensational dual role. Although as Jekyll he unfortunately has to trade flowery romantic dialogue with Rose Hobart, there can be no disputing the menace of his Hyde, with his simian-like appearance, top hat, cloak and cane, who turns cockney hooker Miriam Hopkins' life into a nightmare. It's a breathtaking transformation both physically (thanks to stellar make-up and special effects) and artistically and is undoubtedly the centrepiece of this excellent vintage classic.
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