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Doctor X (1932)

Unrated | | Comedy, Crime, Horror | 27 August 1932 (USA)
A wisecracking New York reporter intrudes on a research scientist's quest to unmask The Moon Killer.

Director:

Michael Curtiz

Writers:

Robert Tasker (screen play), Earl Baldwin (screen play) | 2 more credits »
Reviews
1 nomination. See more awards »

Photos

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Cast

Complete credited cast:
Lionel Atwill ... Dr. Jerry Xavier
Fay Wray ... Joanne Xavier
Lee Tracy ... Lee Taylor
Preston Foster ... Dr. Wells
John Wray ... Dr. Haines
Harry Beresford ... Dr. Duke
Arthur Edmund Carewe ... Dr. Rowitz
Leila Bennett ... Mamie
Robert Warwick ... Police Commissioner Stevens
George Rosener ... Otto
Willard Robertson ... Detective O'Halloran
Thomas E. Jackson ... Daily World Editor (as Thomas Jackson)
Harry Holman ... Mike - Waterfront Policeman
Mae Busch ... Cathouse Madame
Tom Dugan ... Sheriff
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Storyline

A monster lurks as New York newspaperman Lee Taylor investigates one of the "Moon Killer" murders, in which the victims are strangled, cannibalized and surgically incised under the light of the full moon. The trail leads to the cliffside mansion of Dr. Xavier, where the doctor and his colleagues conduct a strange experiment. Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

Out-Thrills Them All! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

27 August 1932 (USA) See more »

Also Known As:

Doktor X See more »

Filming Locations:

Laguna Beach, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (2-strip Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The New York waterfront sequences were shot on the still standing Twinkletoes (1926) set left over from the 1926 Colleen Moore vehicle, in which in stood in for London's Limehouse District. See more »

Goofs

Fay Wray's character is variously addressed as "Joanne" or "Joan," sometimes in the same scene. See more »

Quotes

Lee Taylor, Daily World Reporter: [to the Piano Player] Hey, Rachmaninoff - how 'bout the Prelude?
See more »

Alternate Versions

This film was shot in two versions. One camera unit, under Ray Rennahan, shot the film in two-color Technicolor. A second camera unit, under Richard Towers, shot the scenes at the same time in black and white. The black and white version was meant for foreign territories where Technicolor did not have facilities. See more »

Connections

Spoofed in The Mad Doctor (1933) See more »

Soundtracks

Somebody's Wrong
(1923) (uncredited)
Music by Richard A. Whiting and Henry I. Marshall
Lyrics by Ray Egan
See more »

Frequently Asked Questions

See more »

User Reviews

Great old champ!
29 June 2001 | by PrincessAnankaSee all my reviews

Don't even try to compare this wonderful old WArner Brothers thriller from l934 with today's thrillers. It was made at a time long gone when atmosphere, sets, lighting and camerawork were king. I adore getting this movie out at least once a month along with "Mystery of the Wax Museum" and "Night Monster" (another reviewer has also cited "Night Monster" as the classic it is)turn out the lights and lose myself in the early Technicolor two-strip photographey which is beautifully pastel and atmospheric in its eerie greens, pinks, crimson and gold. The Anton Grot sets are unforgettable. The cast of Hollywood's greatest character actors throw themselves into their roles (I doubt they had any other choice. After all, the demonic Michael Curtiz was cracking the whip as director). Fay Wray is pretty and screams now and then. Most irritating of all is Lee Tracey as the relentlessly wise-cracking reporter. Glenda Farrell had the same role in "Mystery of the Wax Museum" also filmed in early color and she was fantastic. A great old thriller, set in a remote mansion by the sea. The monster is terrifying. Ironically, you never see any carnage, blood or torture. Hats off to those long-ago film masters who knew how to do things right.


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