Frazier and his gang are rustling horses. When the wild horse Tarzan frees Frazier's horses. Frazier gets the Sheriff to declare Tarzan an outlaw and have him shot. But Tarzan is Ken's favorite and he now tries to protect him.
After her father dies Pat Riley (Merna Kennedy), returns home from an eastern board school and takes charge of the family horse ranch. She immediately has a spat with the ranch foreman Ken Benson (Ken Maynard). He is trying to convince her that the smooth-talking Steve Frazier (Niles Welch) has an hidden agenda for wanting to buy the ranch's ramada of broken wild horses. Turns out he does...he represents a company that makes dog food.Written by
Les Adams <email@example.com>
The earliest documented telecasts of this film took place in Los Angeles Saturday 12 November 1949 on KNBH (Channel 4), in Cincinnati Thursday 8 December 1949 on WKRC (Channel 11), and in Chicago Sunday 26 February 1950 on WGN (Channel 9). See more »
"Come on, Tarzan!" is Heard Many a Time in "Come On, Tarzan"
If you like horse action and Ken Maynard you will be in third or fourth heaven with this movie that focuses on horse rustling! Tarzan gets a chance to be the star of the show in this film, and he doesn't disappoint. He runs like the wind, warns of problems, gets shot, single-"handedly" rustles other horses, gives nods of approval, and even helps in a river rescue. But most of the time he regally stands guard on top of a bluff reviewing the varied action below, ready to step in and save the day at just the right time. But Tarzan isn't the only horse in this film, of course. In fact, horses are seen all the time, often thrillingly running at full tilt, singly, and in groups with and without riders.
Ken Maynard in 1932 was still quite stilted in his acting, but he tries so earnestly to emote that one just has to forgive him and go with the flow. Ken isn't the only one with stiff acting moments, but there is such spectacular outdoor scenery throughout the program that the movie's acting limitations become of less and less consequence. Many of the scenes are shot alongside bending rivers and other obviously outdoor settings with the windswept swaying of plants and dust kick-ups lending authenticity to the proceedings. Interiors are excellent, too. "Come on, Tarzan" has its limitations, yes, but nonetheless it can be a fun experience for B-Western fans.
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