Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has had... See full summary »
A young French soldier in World War I is overcome with guilt when he kills a German soldier who, like himself, is a musically gifted conscript, each having attended the same musical conservatory in France. The fact that the incident occurred in war does not assuage his guilt. He travels to Germany to meet the man's family.Written by
Steve Owen <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Minneapolis Thursday 21 May 1959 on WTCN (Channel 11) as their "Morning Spectacular". It was released on DVD 24 November 2015 as part of the Universal Vault Series. See more »
Is this really a Lubitsch film? I discovered "The Man I Killed" aka "Broken Lullaby" the other night and my feelings are somewhat mixed. The film concerns a young French soldier, Paul, that has killed an equally young and able German soldier, Walter, in the trenches during the final days of World War I. Paul is constantly overcome by feelings of guilt and remorse and he travels to a small German town where the dead soldier's family lives. The family thinks he is Walter's dear friend. Paul's presence in the town outrages some folks, but in the family he is their son and replaces the dead soldier. Paul confides to Walter's Fiancee, Fraulein Elsa, about his real relationship to Walter, but she discourages to tell the family because it will create more problems and ultimately disrupt the wholesomeness of the family.
In many ways, "Broken Lullaby" is Lubitsch's most atypical film. Remarkable how the director of sparkling and sophisticated comedies and operettas could come up with such ambitious, deeply serious subject like "Broken Lullaby". Although I was kind of moved by the film's overpowering message of pacifism and wholesomeness, I can't help feeling that this is not the sort of picture Lubitsch should have made in the first place. At times, it feels unbearably heavy-handed & preachy as it relentlessly tries to make its pacifist, anti-war message palatable to the viewer. But that does not mean a remotely mediocre movie. It is just different for Lubitsch.
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