A cabaret singer takes up with a millionaire to pay for her gravely-ill husband's operation.A cabaret singer takes up with a millionaire to pay for her gravely-ill husband's operation.A cabaret singer takes up with a millionaire to pay for her gravely-ill husband's operation.
Eric Alden
- Guard
- (uncredited)
William Begg
- Admirer
- (uncredited)
Harold Berquist
- Big Fellow
- (uncredited)
Glen Cavender
- Ship's Officer
- (uncredited)
Emile Chautard
- Chautard, French Nightclub Manager
- (uncredited)
Davison Clark
- Bartender Bringing Two Beers
- (uncredited)
Marcelle Corday
- Helen's Maid in France
- (uncredited)
Cecil Cunningham
- Norfolk Woman Manager
- (uncredited)
Storyline
Did you know
- TriviaCary Grant said that Josef von Sternberg directed him not really much during the filming, but taught him the most important thing. On the first day Grant came on the set, von Sternberg looked at him and said, "Your hair is parted on the wrong side." So Grant parted it on the other side and kept it that way the rest of his career.
- GoofsA check is shown on screen written to Helen Jones. This is her stage name so not sure how she will cash the check.
She will cash the check by endorsing it with her stage name. It is not illegal as long as there is no attempt to defraud.
- Quotes
Edward 'Ned' Faraday: Dr. Pierce, I have a rather peculiar request to make. I want to sell you my body.
- Crazy creditsOpening credits are shown with a background of water reflected at a swimming hole. As the credits end, it can be seen that women are swimming in the swimming hole.
- Alternate versionsThe original German release and some television prints of this film exclude the opening scene, where Herbert Marshall encounters Marlene Dietrich and friends "skinny-dipping" in a lake.
- ConnectionsFeatured in The Love Goddesses (1965)
- SoundtracksTreue Liebe Nur du allein
(uncredited)
Music by Friedrich Silcher
Played during opening credits and as background music several times
Featured review
This film has some wonderful moments, particularly the nightclub scenes where Dietrich "stripteases" out of a gorilla suit, and the pastoral opening sequence where the two lovers meet. The latter is handled in a very early 20s European style reminiscent of the heady days of Maurice Tourneur. The modern "American" sequences are too static, though, and the story is just a superficial melodrama that doesn't involve me too much. Cary Grant plays his early character type from the Mae West films with far less interesting results. One thing that is cool is that the club sequences give one an idea of what Dietrich's famous cabaret style might have been like.
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Details
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.37 : 1
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