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In rural 1840's Scotland, Gavin Dishart arrives to become the new "little minister" of Thrums's Auld Licht church. He meets a mysterious young gypsy girl in the dens and to his horror ... See full summary »
The story revolves around Pamela, as a woman in late-1800's England who has no intention of marriage and wishes to be her own person. After a great deal of difficulty in finding a job, she ... See full summary »
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After spending fifteen years in an asylum, Hilary Fairfield escapes from the institution after regaining his sanity. He finds that things at home are different than when he left them. His wife has divorced him and is already planning her next marriage, and his daughter has grown up throughout the years and is planning to marry as well.Written by
Only a few times in his career has S.L. Rothafel, "Roxy" stepped out into public print to praise a picture. Each year there is one "greatest" (Print Ad- New York Evening Post, ((New York NY)) 30 September 1932)
Katharine Hepburn's performance as the "Amazon Queen" in the 1931 Broadway play The Warrior's Husband landed her a screen test with RKO. After executives saw the finished film in the projection room, they signed Hepburn to a contract, which called for her to appear in two films per year, with time off for stage plays. See more »
Toward the end, when Sidney convinces her mother to leave, she reaches for her mother's coat, and someone off-camera hands it to her. The hands of the crew member are clearly visible. Correction: The maid hands Sidney her mother's coat. You can see the maid's apron when she steps into view. Several scenes earlier the maid told Gray she had the mother's bags packed. See more »
Do you know what the dead do in Heaven? They sit on their golden chairs and sicken for home.
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Sydney Fairfield is the name of Katharine Hepburn's character in the film, but ner name is spelled Sidney in the credits. See more »
Worth seeing for Katharine Hepburn. The film starts out in a provincially normal household, a mansion complete with servants, and aging auntie (sister of the patient) and a suitor (Canvanagh) for Hepburn.
The story is rather basic, Barrymore wishes to return after his long hospitalization. Of course, life has not stopped (except for him.) A tragic story in any sense, and well portrayed here, if not a bit melodramatic. Billie Burke delivers a dated and frilly performance as a woman re-marrying. For 1932 the topic of psychological disorders being addressed at all is to be commended.
My mother had always loved Barrymore, and he does have the obsessive qualities which would categorize a man who has been traumatized. Billie Burke as the rejecting wife who now wants to re-marry. The topic of mental illness and post traumatic stress is still rarely covered in any semblance of realism, so this film is noteworthy on this issue alone. 8/10.
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