6.5/10
535
20 user 4 critic

As You Desire Me (1932)

Approved | | Drama | 28 May 1932 (USA)
Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara... See full summary »

Director:

George Fitzmaurice (uncredited)

Writers:

Luigi Pirandello (play), Gene Markey (adaptation)
Reviews
1 win. See more awards »

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Cast

Complete credited cast:
Greta Garbo ... Zara aka Maria
Melvyn Douglas ... Count Bruno Varelli
Erich von Stroheim ... Carl Salter
Owen Moore ... Tony Boffie
Hedda Hopper ... Ines Montari
Rafaela Ottiano ... Lena
Warburton Gamble Warburton Gamble ... Baron
Albert Conti Albert Conti ... Captain
William Ricciardi ... Pietro
Roland Varno ... Albert
Edit

Storyline

Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara is actually Maria, the wife of his close friend Bruno. Maria, Tony claims, had her memory destroyed during a World War I invasion ten years ago. Zara doesn't remember but leaves with Tony to Salter's dismay. Bruno, now an officer in the Italian army, tries to coax Maria's memory back on his large estate. No one is really sure if Zara is Maria, and when Salter shows up with a mental case that he claims is the real Maria, everyone on Bruno's estate is desperately searching for the truth. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Taglines:

You don't need us to tell you not to miss this film. You couldn't be kept away!

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

28 May 1932 (USA) See more »

Also Known As:

Wie du mich wünschst See more »

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Box Office

Budget:

$460,733 (estimated)

Gross USA:

$705,000

Cumulative Worldwide Gross:

$658,000
See more on IMDbPro »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

This film's earliest documented telecasts took place in Abilene TX Sunday 7 July 1957 on KRBC (Channel 9), followed by Adams MA Monday 15 July 1957 on WCDC (Channel 19); aged and obscure, as well as violently pre-code, it nevertheless soon became a favorite in the less predominant markets; it first aired in Minneapolis 10 August 1957 on KMGM (Channel 9), in Amarillo 25 August 1957 on KFDA (Channel 19), in Syracuse 17 September 1957 on WHEN (Channel 8), in Akron 27 September 1957 on WAKR (Channel 49), in Peoria 31 October 1957 on WTVH (Channel 19), in Tampa 8 November 1957 on WFLA (Channel 8), in Honolulu 9 November 1957 on KHVH (Channel 13), in Seattle 15 November 1957 on KING (Channel 5), in Windsor ON (serving Detroit) 17 November 1957 on CKLW (Channel 9), in Norfolk VA 28 November 1957 on WTAR (Channel 3), in Portland OR 29 November 1957 on KGW (Channel 8), in Fresno CA 2 December 1957 on KMJ (Channel 24), in Indianapolis 3 December 1957 on WLW-I (Channel 13), in Columbus 15 December 1957 on WLW-C (Channel 4), and in Baltimore 27 December 1957 on WJZ (Channel 13). New York City finally got curious and gave it a whirl 2 June 1958 on WCBS (Channel 2), followed by Los Angeles 13 August 1958 on KTTV (Channel 11), by San Francisco 18 December 1959 on KGO (Channel 7), and last, but not least, by Chicago 6 February 1961 on WBBM (Channel 2). See more »

Goofs

Garbo puts on a dress in which she was painted ten years before. But the dress is in the style of the present. See more »

Quotes

Zara: And what is it that you love about me - my mind?
See more »

Connections

Featured in Visions of Light (1992) See more »

Soundtracks

Antonia
(uncredited)
Music by Demeglio
See more »

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User Reviews

 
Intriguing treatment of intriguing theme
31 August 2005 | by peterjohndeanSee all my reviews

This film is almost forgotten but remains one of the most unusual in Garbo's career. It was daring to use a Pirandello play (what remains of it) and the stylistic inconsistencies are actually absolutely right for the theme that nothing is what it seems (but could be, if we so desired it). Compare it to "Two faced Woman" ten years later, also with Douglas and also about confusions of identity. You will see how much better is the earlier film and how much more beautiful Garbo was, even in a fright wig. George Fitzmaurice was a talented director with a great sense of style. Like most early sound films you have to see a good copy. Much of what we see now is just a travesty of the original and makes it very hard to appreciate its real quality.


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