Young Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love so Armstrong tells him the story of ... See full summary »
Susan, an orphan, lives the life of Cinderella with rustic relatives. She escapes one stormy night when the fiance her relatives chose tries to force his attentions. Rodney, an architecht, is the prince who rescues her, but he has to take a trip and the wicked relatives catch up with her again. Her next rescuer is a tatooed lady in a circus who can't save her from the circus manager. Rodney shows up and dismisses her as a fallen woman. Susan moves up in the world to the penthouse of a politician who can offer a construction contract to Rodney. Rodney says no and flees to the jungle with Susan in pursuit.Written by
Dale O'Connor <email@example.com>
David Graham Philllips, the novelist who wrote "Susan Lenox: Her Fall and Rise" was murdered by a mentally unbalanced reader while walking in Grammercy Park, in New York in 1911. The novel was published posthumously, six years later, in 1917. Its subject matter was initially thought to be too risqué. See more »
This film could be summarized as 'just another Garbo redemption yarn'... well, it is and it isn't. If you're familiar with the Garbo films (silents & talkies), you'll find yourself knowing the script before it happens onscreen, so, yes, indeed, Garbo will fall first then unwillingly rise from the gutter, sit on top of the world, then fall again, willingly or not. Some have written very intelligent lines on the subject (Mick Lasalle in 'Complicated Women' for instance) so I won't ad lib on this.
But this particular film adds another element: its photography. Splendid throughout all of Susan's cahotic life, the images crafted by Bill Daniels are simply amazing and on par with any Sternberg film - yes, that good. I can't remember precisely at the moment but the film was almost entirely redone before being released, either by R.Z. Leonard or by somebody else and R.Z. kept the credit...
Whatever. If script-wise quite predictable, this film should be seen if only for the sake of its images. Also, Garbo gives a performance worthy of the one she had in Grand Hotel - glimpses of eternity perhaps.
Too bad the big guys think this one's not worth more than a crappy VHS - photography on this level IS art... And Garbo's face eludes all possible descriptions.
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