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The Naughty Flirt (1930)

Not Rated | | Comedy, Drama, Romance | 11 January 1931 (USA)
Rich party girl sets her eyes on a young attorney.


Edward F. Cline (as Edward Cline)


Richard Weil (adaptation), Earl Baldwin (adaptation)


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Complete credited cast:
Alice White ... Katherine Constance 'Kay' Elliott
Paul Page ... Alan Joseph Ward
Myrna Loy ... Linda Gregory
Robert Agnew ... Wilbur Fairchild
Douglas Gilmore ... John Thomas 'Jack' Gregory
George Irving ... John Raleigh Elliott


Coquettish socialite Kay Elliott has set her cap for Alan Ward, an associate in her father's law firm. But while pursuing Alan, she must fend off the advances of a greedy fortune-hunter, who is aided and abetted by his equally voracious sister. Written by Dan Navarro <daneldorado@yahoo.com>

Plot Summary | Add Synopsis


Comedy | Drama | Romance


Not Rated






Release Date:

11 January 1931 (USA) See more »

Also Known As:

Man Crazy See more »

Company Credits

Production Co:

First National Pictures See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Vitaphone) (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


Completed in mid-1930, reviewed in "Photoplay" in October 1930 (on the newsstands in September), and copyrighted in December 1930, release was delayed until January 1931. See more »


Miss Katherine Constance 'Kay' Elliott: I think you're a wonder. You certainly fooled me and I'm hard to fool. Old still water, himself. I always thought you weren't as hard working young men did all right for yourselves.
Alan Joseph Ward: But, Kay, you don't under...
Miss Katherine Constance 'Kay' Elliott: Oh - And as for you, Linda: naughty, naughty.
See more »


Untitled Song
Composer unknown (probably Sam H. Stept)
Played during the opening credits and often as background music
Played as dance music at the country club and sung ("I often wonder if you cared ...") by an unidentified trio
Hummed by Paul Page
See more »

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User Reviews

An Adorable Flirt
8 January 2010 | by kidbootsSee all my reviews

Alice White was an adorable flapper, whose career was over before it started. She was First National's answer to Clara Bow but she didn't have the longevity of the red headed "It" girl. 1931 started with "The Naughty Flirt", one of her best films and ended with "Murder at Midnight", in which, although billed prominently, she was only given about two decent scenes.

The plot is 60 minutes of frivolous fun with White doing what she does best - being adorably flirty and making every man her slave. When Kay (Alice White) and her gang are hauled into night court for disorderly conduct, she meets Alan Ward (Paul Page) an associate with her father's law firm and it doesn't take him long to fall under her spell. She already has a persistent suitor in Jack Gregory (Douglas Gilmore) who is always asking Kay to marry him. He, along with his scheming sister, Linda (Myrna Loy) have ulterior motives - they have been wiped out in the stock market crash and hope that if Jack can marry Kay their financial worries will be at an end.

The "Cinderella Dance" is one of the film's highlights - all the girls take off one of their shoes, put it in the middle of the ballroom and then the boys have to pick one and dance with it's owner. White, who made her name with a couple of excellent musicals from the early talkie era ("Broadway Babies" (1929) and "Show Girl in Hollywood" (1930)) is not asked to sing or dance here which is a pity. She also gets a run for her money from Myrna Loy as the sultry Linda. Why it took so long for Loy to "make it" (1933's "Animal Kingdom" was her big break) is one of Hollywood's real mysteries. However White's cutie pie acting wins through - she is impossible to resist.

Although she had a very hectic private life, maybe what happened to Alice White were films like "The Naughty Flirt". 1931 was one of the worst years of the depression and with a title like "The Naughty Flirt", reminiscent of a jazzy, carefree past, the movie going public may have been turned off. In this year of unemployment and breadlines, if films started out with scenes of high living ("Bad Company" and "Dance Fools, Dance") audiences wanted to see stars really suffer before realising that the simple life was the best.

Highly Recommended.

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