Adapted from The Paul Street Boys, an autobiographical novel by Ferenc Molnar, GLORY is an unusually sensitive evocation of the pain of youth and the senselessness of war. Frail Nemecsek, a... See full summary »
George P. Breakston,
After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs fake miracles for profit. But the love and trust of a blind man restores her faith in God and her fellow man.Written by
John Oswalt <firstname.lastname@example.org>
The character of Florence Fallon was largely based on popular evangelist preacher Aimee Semple McPherson. Some people nicknamed her "The Miracle Woman" because of her supposed healing powers, but others derided her as a fraud and con artist, saying she never "cured" anyone and was just using the pulpit to make money. See more »
As Florence starts chasing members of the congregation out of the church at the beginning of the film, members of the choir can be seen getting up and walking forward in the direction of the isle (note the young blond woman in the black dress who is first in line). When the scene cuts to a close-up on Florence moving down the isle, we see the choir members still seated in their places. They then get up and file out in the same direction as in the previous shot. See more »
[In the Temple of Happiness.]
Outside the pulse of the world beats with hate! Hate! But here with you there is a heartbeat of love!
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"The Miracle Woman" is offered as a rebuke to anyone who, under the cloak of Religion, seeks to sell for gold, God's choicest gift to Humanity ---- FAITH. See more »
This was indeed a strange curio from the early 1930s. This film was inspired by Aimee Semple McPherson's traveling evangelistic crusades of the 1920s. At first, Aimee (just like Barbara in the film) seemed sincere and over time, the attraction of fame and riches turned this "crusade" into a sleazy business. While not as cynical and amazing to watch as the later and very similar movie, ELMER GANTRY, this film is very daring to take on the topic of fraudulent faith healers. Given that this is one of Barbara Stanwyck's earliest films, she does an amazing job. The script is engaging as well and Frank Capra shows us that he's an excellent director with great things ahead in his career.
Fascinating throughout and well worth watching.
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