Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna from the neighboring kingdom of Flausenthurm drive by, and Anna intercepts a wink meant for Franzi. She falls for Niki, marries him (he has no choice in the matter), and whisks him off to Flausenthurm. Franzi follows and enjoys a brief affair with Niki before Anna finds out. Franzi, much more experienced in the ways of the world, gives Anna lessons on how to win the affections of her husband.Written by
John Oswalt <email@example.com>
The operetta by Felix Dormann and Leopold Jacobson opened in Leipzig, Germany, on 31 May 1907. An English version, entitled "A Waltz Dream", with music by Oscar Straus and English book by Joseph W. Herbert, opened in New York City, New York, USA, on 27 January 1908 and ran for 111 performances. It is not known if any of Straus' music from that production was used in this film. The songs, however, had a new lyricist and new titles. See more »
In the latter part of the movie Chevalier bounds up a grand staircase painted to appear as marble but the loud clomp-clomp-clomp of his shoes reveals it to be just wood. See more »
I found, a new, commander to obey. I must report, for duty, right away. She'll never pension me.
Ra-ta, ta-ta-ta, ta-ta-ta, ta...
Toujours, l'amour, in the army...
[Marches back to the bed chamber]
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A version in French with dialogue and lyrics by 'Henri Bataille (II)' played in New York City, New York, USA on 15 October 1931, and was a big hit in Paris. It probably was a dubbed English version, but slightly shorter at 2,476.80 m in length. See more »
Ach Du Lieber Flausenthurm
Sung a cappella by Maurice Chevalier to the tune of the 18th century German folksong "Ach Du Lieber Augustine" See more »
Sublime, and almost immoral.
This film is sheer perfection - the Lubitsch Touch is here in spades. This must be one of the most charming films ever made, and it is technically brilliant too for the early talkie era. A fabulous show-case for the talents of three new Paramount stars - Maurice Chevalier has never been better, Claudette Colbert is buoyant - and Miriam Hopkins is an absolute marvel as the innocent princess. When will she be given the adulation she deserves - certainly one of the best actresses of her generation. And George Barbier is also brilliant as her father.
This film could only have been made in the pre-code days - it is very very naughty. The mating pillows is only one example of many sexual innuendos and symbols. But it is all too charming to be offensive to even the most prudish person. One of the best films of the early Thirties.
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