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Kiss Me Again (1931)

A Legionnaire in love with an aspiring opera singer is expected to marry the general's daughter, who in turn is in love with another soldier.




(book) (as Henry Blossom), (screen version) | 1 more credit »


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Complete credited cast:
... Mlle. Fifi
... Rene
... Paul de St. Cyr
... Marie
... Francois
... Count de St. Cyr
... Mme. Cecile
... General de Villafranche


A Legionnaire in love with an aspiring opera singer is expected to marry the general's daughter, who in turn is in love with another soldier.

Plot Summary | Add Synopsis


Musical | Romance






Release Date:

23 February 1931 (USA)  »

Also Known As:

Toast of the Legion  »

Company Credits

Production Co:

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Technical Specs


(copyright length)

Sound Mix:

(Western Electric Apparatus)


(2-strip Technicolor)| (TV prints)

Aspect Ratio:

1.37 : 1
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Did You Know?


The musical play opened on Broadway in New York City, New York, USA on 25 September 1905 and closed 16 June 1906 after 202 performances. After the hot summer months, it reopened on 1 September 1906 for another 22 performance. Considered a big hit, it went on tour for 3 years. See more »


Mme. Cecile: [Finding her employee, Fifi, smooching with Legionnaire Paul] Fifi! So this is the way you waste your time - canoodling!
Paul de St. Cyr: [Paul and Fifi get up, looking guilty] Don't blame Fifi, madame. It's my fault.
Mme. Cecile: Don't tell me what to do, you... you canoodler! Come, Fifi.
See more »


Version of Musical Comedy Time: Mademoiselle Modiste (1951) See more »


Tomorrow May Bring Doubts and Tears
(1905) (uncredited)
Music by Victor Herbert
Lyrics by Henry Martyn Blossom
Sung by Walter Pidgeon
See more »

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User Reviews

For Operetta and Frank McHugh Fans Only
22 September 2006 | by See all my reviews

In this operetta, Walter Pigeon (who wasn't young, even in 1931) and Edward Everett Horton (!!) are two soldiers in love. Walter loves a shop-girl (who sings a lot). Edward loves Walter's arranged fiancée. Walt loses his girl, because papa writes her a check, and she uses it (after appropriate soul searching) to launch her opera career. Edward's in danger of losing her girl because the arranged marriage is going forward. Will true love triumph?

The musical numbers are OK, though sung in an operatic style that some may like, but most moviegoers now hate. The staging is very static. As for plot and acting -- nothing very good or very bad. Because Edward Everett Horton has a role outside of his usual range, he's subdued and seems a bit uncomfortable.

The bright spot here is Frank McHugh as the Brooklyn accented "Francois", who gets a comic number to himself in the opening reels. He shouts more than sings, but it's decent Broadway style singing. He also, in the same number, gets to parade about in drag. This is quite funny, and if you're in the right mood, worth seeing. His role, however, is entirely peripheral to the plot, and his speaking style is wackily out of place.

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