A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.
- Director
- Writers
- Joseph Jackson(screenplay & dialogue)
- Raymond Griffith(screenplay & dialogue)
- Jane Hinton(play "The Devil Was Sick")
- Stars
- Director
- Writers
- Joseph Jackson(screenplay & dialogue)
- Raymond Griffith(screenplay & dialogue)
- Jane Hinton(play "The Devil Was Sick")
- Stars
- Basil, called 'Pompom'
- (as Tyrrell Davis)
- Maybelle - Party Girl
- (as Sisters 'G')
- Marie - Party Girl
- (as Sisters 'G')
- Yvonne - Party Girl
- (uncredited)
- Night Club Patron
- (uncredited)
- Director
- Writers
- Joseph Jackson(screenplay & dialogue)
- Raymond Griffith(screenplay & dialogue)
- Jane Hinton(play "The Devil Was Sick")
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIt is interesting to note that in one scene the characters played by Billy House and Tyrell Davis are discussing Toto's mental state while using a "pissoir", or public urinal, on a street in Paris. At the time of this film the city had over 1,200 such structures.
- GoofsOn a map, Toto points out the locations of Cannes and Monte Carlo in the north of France on the coastline of the English Channel. Both cities are in the south of France on the Mediterranean coast.
- Quotes
Diane Churchill: This is where I want to go when I die.
John Churchill: You can have my share of it. I'd rather have an alley in Rochester than all the streets in Paris.
Diane Churchill: Oh, Dad. But, this place is perfectly swell.
John Churchill: How often have I told you not to say swell?
Diane Churchill: Sorry, darling. I shan't use it again. But, it is a nice place, don't you think?
John Churchill: Nothing but a lot of jazz bands, dancing, champagne, whoopee! That's all the French think about.
I actually like most of Fay's other films because I can see what he is trying to do with the roles, although I think Warner Brothers did him wrong and set him up to fail by trying to make him out to be irresistible to women in several of his roles. In Matrimonial Bed this wasn't too distracting, but here it is just annoying. Surrounded by beautiful women - including Joan Blondell and Louise Brooks, Fay - as Toto, the Romeo of Paris - becomes enamored of Diane Churchill (Laura La Plante) after just a brief meeting and a single dance. Even more annoying, Diane falls for Toto, although she admits to her father she doesn't understand the attraction - that definitely gives her something in common with the audience.
There are many good comic bits and wise cracks in the film, but it just doesn't hold together well at all. The catfight towards the end is well known as the best thing about the film, with all of Toto's women showing up at once to nurse him back to health after they hear he is ill.
The sad thing is, you can tell Fay knows he is finished in films at this point. He looks thin and gaunt here compared to Matrimonial Bed made just a year earlier. The story is he began to drink heavily when he realized he wasn't going over with audiences, and his wife's success in Hollywood just made matters worse. It is rumored that "A Star is Born" was based on the Fay/Stanwyck marriage, and I wouldn't be surprised if that is true.
This one lacks any kind of coherence. Look at it as one long vaudeville act and you'll likely come away more satisfied.
- AlsExGal
- Jan 27, 2010
Details
Box office
- Budget
- $222,000 (estimated)
- Runtime1 hour 12 minutes
- Color
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