A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.A Parisian descendant of Don Juan vows to stop philandering in order to win the hand of a virtous young lady with a disapproving father.
Tyrell Davis
- Basil, called 'Pompom'
- (as Tyrrell Davis)
Eleanor Gutöhrlein
- Maybelle - Party Girl
- (as Sisters 'G')
Karla Gutöhrlein
- Marie - Party Girl
- (as Sisters 'G')
Ethlyne Clair
- Yvonne - Party Girl
- (uncredited)
Bill Elliott
- Night Club Patron
- (uncredited)
Storyline
Did you know
- TriviaThis film was originally completed as a musical, but due to audience interest in such film waning in the U.S., all of those numbers were cut in the U.S. & UK releases, but left intact for other countries. A print of the U.S. version has been preserved by the Library of Congress.
- GoofsOn a map, Toto points out the locations of Cannes and Monte Carlo in the north of France on the coastline of the English Channel. Both cities are in the south of France on the Mediterranean coast.
- Quotes
Tania Donaliff: [refering to her trip to Africa] But I could never stand intense heat for long.
Diane Churchill: Then the place I had in mind for you wouldn't do at all.
Tania Donaliff: No. Huh?
[chuckles]
Tania Donaliff: Charming.
Featured review
Frank who? It's difficult to engage immediately with unfamiliar actors. Frank Fey was a very popular but infamously arrogant 1920s comic and he's actually quite good in this, a natural talent. Once you get used to him, you'll find this 'Carry On style' farce quite entertaining.
Allegedly Frank Fey was a particularly unpleasant man and looks wise, he certainly was not God's gift to women! He's got really creepy eyes and looks like a cross between Lee Tracy and Pope Benedict XVI. You'd think it implausible for all these sexy women to be chasing him but somehow in real life he managed to snare Barbara Stanwyck so there must have been something about him. Nevertheless he was a professional and despite appearing like he sleeps in a coffin filled with Transylvanian soil, he really carries this picture.
Whereas Fey is pretty decent in this, silent cinema star Laura LaPlante is atrocious. But if you think she's bad, wait until you see Margaret Livingstone - oh dear, even for a comedy, some of the acting in this is terrible. Fortunately we have the divine Joan Blondell. Her former vaudeville experience is just perfect for this type of daftness. You can tell that she's destined for stardom - it's a shame this wasn't made a year later when she'd established herself as she'd have been brilliant in the lead. Even though she's not got a huge part, she makes a real impact - and not just because she strips down to her underwear. That scene lasts just two seconds but for us fans, it's the highlight of the picture!
Although forgotten today, Frank Fey was a huge star in the 1920s so Warner Brothers, expecting a big return on this, threw an uncharacteristically big budget at this. It looks sumptuously delicious and has even got a full score which wasn't that common in 1931. Michael Curtiz however still hadn't mastered making talkies when he made this - he certainly could do the visuals but as I've said, apart from Fey and of course Joan Blondell, the rest of his characters seem utterly unrealistic. This was a common flaw in early thirties comedies - 'comedy acting' wasn't like straight acting, it was purposely awful, presumably that style was considered funny back then.
Overall, if you like well made silly farces or are in love with Joan Blondell, give this a go. Not as funny as 'Allo 'Allo though.
Allegedly Frank Fey was a particularly unpleasant man and looks wise, he certainly was not God's gift to women! He's got really creepy eyes and looks like a cross between Lee Tracy and Pope Benedict XVI. You'd think it implausible for all these sexy women to be chasing him but somehow in real life he managed to snare Barbara Stanwyck so there must have been something about him. Nevertheless he was a professional and despite appearing like he sleeps in a coffin filled with Transylvanian soil, he really carries this picture.
Whereas Fey is pretty decent in this, silent cinema star Laura LaPlante is atrocious. But if you think she's bad, wait until you see Margaret Livingstone - oh dear, even for a comedy, some of the acting in this is terrible. Fortunately we have the divine Joan Blondell. Her former vaudeville experience is just perfect for this type of daftness. You can tell that she's destined for stardom - it's a shame this wasn't made a year later when she'd established herself as she'd have been brilliant in the lead. Even though she's not got a huge part, she makes a real impact - and not just because she strips down to her underwear. That scene lasts just two seconds but for us fans, it's the highlight of the picture!
Although forgotten today, Frank Fey was a huge star in the 1920s so Warner Brothers, expecting a big return on this, threw an uncharacteristically big budget at this. It looks sumptuously delicious and has even got a full score which wasn't that common in 1931. Michael Curtiz however still hadn't mastered making talkies when he made this - he certainly could do the visuals but as I've said, apart from Fey and of course Joan Blondell, the rest of his characters seem utterly unrealistic. This was a common flaw in early thirties comedies - 'comedy acting' wasn't like straight acting, it was purposely awful, presumably that style was considered funny back then.
Overall, if you like well made silly farces or are in love with Joan Blondell, give this a go. Not as funny as 'Allo 'Allo though.
- 1930s_Time_Machine
- Dec 29, 2024
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The Devil Was Sick
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $222,000 (estimated)
- Runtime1 hour 12 minutes
- Color
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