Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post's editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams' whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around?Written by
Gary Jackson <email@example.com>
This is an interesting film to view in the so-called era of "fake news" as many of the reporters are clearly making up stories as they go along. Both Ben Hecht and Charles MacArthur had been journalists so one can only assume that there is an element of truth to this depiction of reporters. See more »
At approximately 69 minutes, Hildy types furiously at a typewriter, however, with his right hand he only uses his index finger and pushes the same key over and over again. See more »
This story is laid in a Mythical Kingdom.
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The end credits consist of Walter and Hildy above a big 'THE END,' covering a large question mark, while the sound of the train is heard and music plays. There is also laughter, presumably coming from Walter Burns. See more »
Newspaperman Hildy Johnson (Pat O'Brien) is quitting the business and getting married to Peggy (Mary Brian). But his unscrupulous boss Walter Burns(Adolphe Menjou) doesn't want him to quit. Also an innocent man is about to be hanged and Burns will do anything to make sure Johnson works on that story.
Fast and funny--the first cinematic version of this story. It shows its age at times and some of it is wildly overacted but O'Brien and Menjou are both just great in their roles. Also director Lewis Milestone uses some very unusual camera tricks to keep the story moving and there's lots of action and running around which is unusual for an early talkie.
This was remade in 1940 with a sex change making Johnson a woman. That was "His Girl Friday" with Rosalind Russell and Cary Grant. That one is better than this but this is better than the 1974 version (that had Jack Lemmon and Walter Matthau) and 1988 remake called "Switching Channels" (with Kathleen Turner and Burt Reynolds). They're all good to varying degrees but this one came first. Worth seeing.
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