A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again.Written by
Josh Pasnak <email@example.com>
In the novel, Frankenstein builds and animates the Monster in what is essentially his dormitory room, and the method is never revealed. Universal decided on the castle laboratory with all the electrical equipment, and this is what the majority of the public now associate with the Monster's creation. See more »
When Maria meets the Monster by the lake and talks to him, the close shots of her show some vegetation and the lake in the background. She then takes the Monster by the hand and walks him closer to the edge of the lake. When she next talks to the Monster, the background in the close shot is the same as it was before, as though she has not moved at all. See more »
In closing credits: A good cast is worth repeating See more »
Contrary to popular belief, "Frankenstein" was never colorized. The rumor comes from a scene in the film where the main characters watch colorized scenes from "Frankenstein". Those colorized clips were made exclusively for the film and music video of the same name. There is no colorized VHS of "Frankenstein". See more »
James Whale's original FRANKENSTEIN is a short but memorable horror classic that has influenced so many other fright flicks, it should be considered the Godfather of Horror Movies. This was the first of Universal Studios' moody screen adaptations of literary Gothic horror (the other being Dracula). Put all thoughts regarding Mary Shelly's novel aside and see this original work of art, with Boris Karloff bringing the ultimate monster to life.
The sets are a pure spin off of German Expressionism. The good Doctor Frankenstein's castle is twisted and distorted and seems to be not of this world. He is played by Colin Clive in a delightfully freakish performance. And, of course, the well-proportioned Fritz is there to help. Notice the signposts of evil in the opening grave robbing scenes. It is a prop-master's dream and the black and white photography displays a theatrical sense of spookiness. "It's Alive!" will live forever as one of the cinema's most familiar lines and the picture begins to sparkle as Karloff is brought to life. The influence of Fritz Lang's METROPOLIS is evident during the dazzling scene of the Monster's birth.
Boris Karloff is and always will be the prototypical Monster. The closeups of his face are truly frightening after all these years. He is walking death, however, Karloff gives him a hint of sadness, of a creature who was not meant to be. The flower-toss scene with the little girl was so controversial at the time of the film's release, it was cut from many versions. The new, restored print available on video has it.
I know FRANKENSTEIN has been spoofed many times and is wide-open to criticism regarding its dated look. Mel Brooks went so far as to use the actual props from Dr. Frankenstein's laboratory in his hilarious send-up, YOUNG FRANKENSTEIN. Be sure to keep an open mind and watch it in the dark. Boris Karloff and James Whale have created a monstrously fun film.
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