Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again.Written by
Josh Pasnak <email@example.com>
Part of the original Shock Theatre package of 52 Universal titles released to television in 1957, followed a year later with Son of Shock, which added 20 more features. See more »
As The Monster is being raised on the gurney to be animated, a crewman is visible in the lower left. He seems to be behind a curtain and is looking down, as if at some equipment. See more »
Edward Van Sloan:
How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning. We're about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation: life and death. I think it will thrill you. It may shock you. It might even horrify you. So if any of you feel that you...
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In closing credits: A good cast is worth repeating See more »
Contrary to popular belief, "Frankenstein" was never colorized. The rumor comes from a scene in the film Weird Science where the main characters watch colorized scenes from "Frankenstein". Those colorized clips were made exclusively for the John Hughes film and Oingo Boingo music video of the same name. There is no colorized VHS of "Frankenstein". See more »
Though not as spectacular as one would expect of such a classic, this loose interpretation of Mary Shelley's oft-told tale delivers. The familiar story focuses on Dr. Victor Frankenstein, the reclusive, stereotypical mad scientist obsessed with creating new life from stitched-together corpses. But something goes terribly wrong when the brain he uses turns out to be that of a criminal. The film starts out slow but redeems itself with time, particularly the windmill climax scene that by 1931 standards is nothing short of stellar. In one of filmdom's all-time great performances, Boris Karloff plays the monster as a sort of tragic figure unable to comprehend right from wrong, and the audience is left feeling more sympathetic than frightened by him.
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