In the early days of sound, it was common for Hollywood studios to produce Hollywood foreign-language versions of their films (usually in French, Spanish and German) using the same sets, costumes and etc. Unfortunately, most of these foreign language versions no longer exist. The Spanish version of Dracula is an exception. In recent years this version has become more highly praised by some than the English language version. The Spanish crew had the advantage of watching the dailies from the English crew's version when they came in for the evening and they would figure out better camera angles and more effective use of lighting in an attempt to "top" it. As a result, this version's supporters consider it to be much more artistically effective.Written by
This Spanish-language version was filmed on the same sets and at the same time as the English-language, Bela Lugosi version of Dracula (1931). The English-language version was filmed during the day, and the Spanish-language version was filmed at night. See more »
This alternate 1931 Spanish language version of the familiar Transylvanians' story was shot throughout the night, using the same Universal sets that the American production utilized during the day. Some buffs consider it superior, at least in a technical sense, but for this viewer, it was at least comparable to the Lugosi classic. Not really scary, per se, but atmospheric, literate, and fun.
The Count, played with a rather goofy charm by Carlos Villarias, comes to London to rent Carfax Abbey, and works his spell on local beauties such as Eva (Lupita Tovar) and Lucia (Carmen Guerrero). Those brave souls willing to fight him are asylum administrator Dr. Seward (Jose Soriano Viosca), Evas' handsome suitor "Juan" Harker (Barry Norton), and the determined, knowledgeable vampire hunter Van Helsing (Eduardo Arozamena).
Running approximately a half hour longer than the Lugosi / Tod Browning version, this is admittedly rather plodding, and thus not to all horror fans' tastes. For a while, it consists of more talk than action. But the characters, and performances, are entertaining, with Arozamena frequently mugging for the camera, Villarias keeping that silly smile on his face, and the majority of the cast playing it quite straight. Pablo Alvarez Rubio is wonderful as the nutty, bug munching Renfield; Dwight Frye may be more iconic in the role, but Rubios' performance is no less amusing. Some people will appreciate the attire of the ladies in this version, which is decidedly sexier.
An effectively roving camera operated by George Robinson is certainly an asset, with credited director George Melford and company making full use out of the existing sets.
Two years later, leading lady Tovar (who only recently passed away, at the impressive age of 106) married associate producer Paul Kohner.
Seven out of 10.
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