After a naive real estate agent succumbs to the will of Count Dracula, the two head to London where the vampire sleeps in his coffin by day and searches for potential victims by night.
After a harrowing ride through the Carpathian mountains in eastern Europe, Renfield enters castle Dracula to finalize the transferral of Carfax Abbey in London to Count Dracula, who is in actuality a vampire. Renfield is drugged by the eerily hypnotic count, and turned into one of his thralls, protecting him during his sea voyage to London. After sucking the blood and turning the young Lucy Weston into a vampire, Dracula turns his attention to her friend Mina Seward, daughter of Dr. Seward who then calls in a specialist, Dr. Van Helsing, to diagnose the sudden deterioration of Mina's health. Van Helsing, realizing that Dracula is indeed a vampire, tries to prepare Mina's fiance, John Harker, and Dr. Seward for what is to come and the measures that will have to be taken to prevent Mina from becoming one of the undead.Written by
Doug Sederberg <vornoff@sonic.net>
The Human Vampire! He Comes From His Grave at Night...Drinks Living Blood...Bestows Crimson Kisses no Woman Can Resist! (Print Ad- Philadelphia Inquirer, ((Philadelphia, Penna.)) 8 March 1931) See more »
The large, expansive sets built for the Transylvania castle and Carfax Abbey sequences remained standing after filming was completed, and were used by Universal Pictures for many other movies for over a decade. See more »
Goofs
Dracula sleeps on a bed of his own Transylvanian dirt. But whenever he rises, he is perfectly groomed, and his silk cape has nary as speck of dirt on it. See more »
Quotes
[first lines]
Young Girl Passenger:
[reading from a Transylvanian tourist brochure]
"Among the rugged peaks that frown down upon the Borgo Pass are found crumbling castles of a bygone age."
See more »
Crazy Credits
The original title card has producer Carl Laemmle, Jr. identified as Presient (sic). See more »
Alternate Versions
Universal released a newly restored version of the film in 1999 that included a musical score by Philip Glass. The original "Swan Lake" music during the opening credits was removed. See more »
While Tod Browning's Dracula is not the definitive take on the most famous vampire of all time, it is possibly the most memorable one. This is not due to Browning's technical achievements or directorial wizardry, by ANY means. It is due to Bela Lugosi's career-defining portrayal of the title character. Born in what is now Lugoj, Romania, Lugosi brings to the part the flavor of his homeland, making him more believable as Dracula. This other-worldly aesthetic helped to make his performance what many consider the ultimate incarnation of Stoker's Dracula. Having played the Count in Hamilton Deane's Broadway version of Dracula, which started in 1927, Bela Lugosi was more than prepared for the role when it was time to commit it to film. Still struggling with the English language, however, he had to learn his lines phonetically. European accent in tact, he was able to deliver such memorable lines as, "I bid you welcome," "Listen to them. Children of the night. What music they make," and, of course, "I am Dracula." His performance alone is reason enough to watch this monster movie classic. If only the rest of the film was as spectacular as Lugosi. Dwight Frye's Renfield, while perhaps a little too over-the-top, is still another highlight to the film, and even Edward Van Sloan's Van Helsing is enough to challenge the might of Count Dracula. The rest of the film is rather flat to me. Now, I know it was made in 1931, and that, at the time, it horrified audiences, but I still stand by my opinion that the overall movie pales in comparison to Bela Lugosi's performance. Everyone else just seemed to be going through the motions, and it seems especially evident while Helen Chandler and David Manners are on screen. They just aren't convincing. I'm not saying that their performances ruin the film. It is still a classic, and certainly worth a viewing, but if you are in the mood for a vampire movie that is worthy of Bram Stoker's name, look no further than F. W. Murnau's Nosferatu. It is much more convincing and even scarier than Tod Browning's Dracula, despite being nine years older and silent. All in all, though, one cannot overlook the stellar performance of Bela Lugosi in the role he was born to play!
48 of 64 people found this review helpful.
Was this review helpful to you?
| Report this
While Tod Browning's Dracula is not the definitive take on the most famous vampire of all time, it is possibly the most memorable one. This is not due to Browning's technical achievements or directorial wizardry, by ANY means. It is due to Bela Lugosi's career-defining portrayal of the title character. Born in what is now Lugoj, Romania, Lugosi brings to the part the flavor of his homeland, making him more believable as Dracula. This other-worldly aesthetic helped to make his performance what many consider the ultimate incarnation of Stoker's Dracula. Having played the Count in Hamilton Deane's Broadway version of Dracula, which started in 1927, Bela Lugosi was more than prepared for the role when it was time to commit it to film. Still struggling with the English language, however, he had to learn his lines phonetically. European accent in tact, he was able to deliver such memorable lines as, "I bid you welcome," "Listen to them. Children of the night. What music they make," and, of course, "I am Dracula." His performance alone is reason enough to watch this monster movie classic. If only the rest of the film was as spectacular as Lugosi. Dwight Frye's Renfield, while perhaps a little too over-the-top, is still another highlight to the film, and even Edward Van Sloan's Van Helsing is enough to challenge the might of Count Dracula. The rest of the film is rather flat to me. Now, I know it was made in 1931, and that, at the time, it horrified audiences, but I still stand by my opinion that the overall movie pales in comparison to Bela Lugosi's performance. Everyone else just seemed to be going through the motions, and it seems especially evident while Helen Chandler and David Manners are on screen. They just aren't convincing. I'm not saying that their performances ruin the film. It is still a classic, and certainly worth a viewing, but if you are in the mood for a vampire movie that is worthy of Bram Stoker's name, look no further than F. W. Murnau's Nosferatu. It is much more convincing and even scarier than Tod Browning's Dracula, despite being nine years older and silent. All in all, though, one cannot overlook the stellar performance of Bela Lugosi in the role he was born to play!