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Dracula (1931)

Not Rated | | Fantasy, Horror | 14 February 1931 (USA)
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The ancient vampire Count Dracula arrives in England and begins to prey upon the virtuous young Mina.

Director:

Tod Browning

Writers:

Bram Stoker (by), Hamilton Deane (from the play adapted by) | 2 more credits »
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5 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Bela Lugosi ... Count Dracula
Helen Chandler ... Mina
David Manners ... John Harker
Dwight Frye ... Renfield
Edward Van Sloan ... Van Helsing
Herbert Bunston ... Doctor Seward
Frances Dade ... Lucy
Joan Standing Joan Standing ... Maid
Charles K. Gerrard ... Martin (as Charles Gerrard)
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Storyline

After a harrowing ride through the Carpathian mountains in eastern Europe, Renfield enters castle Dracula to finalize the transferral of Carfax Abbey in London to Count Dracula, who is in actuality a vampire. Renfield is drugged by the eerily hypnotic count, and turned into one of his thralls, protecting him during his sea voyage to London. After sucking the blood and turning the young Lucy Weston into a vampire, Dracula turns his attention to her friend Mina Seward, daughter of Dr. Seward who then calls in a specialist, Dr. Van Helsing, to diagnose the sudden deterioration of Mina's health. Van Helsing, realizing that Dracula is indeed a vampire, tries to prepare Mina's fiance, John Harker, and Dr. Seward for what is to come and the measures that will have to be taken to prevent Mina from becoming one of the undead. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Plot Synopsis

Taglines:

Carl Laemmle Presents The VAMPIRE THRILLER! (original posters) See more »

Genres:

Fantasy | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Hungarian | Latin

Release Date:

14 February 1931 (USA) See more »

Also Known As:

Drácula See more »

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Box Office

Budget:

$355,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White (tinted)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

The peasants inside the inn are praying The Lord's Prayer in Hungarian. See more »

Goofs

On main title, Carl Laemmle's studio affiliation is listed as "Presient" See more »

Quotes

[first lines]
Young Girl Passenger: [reading from a Transylvanian tourist brochure] "Among the rugged peaks that crown down upon the Borgo Pass are found crumbling castles of a bygone age."
See more »

Crazy Credits

The title card was revised at the last moment to include playwrights Hamilton Deane and John L. Balderston. But the old title card, with the movie's title in a different typeface, is still visible briefly at the tail end of a lap dissolve to the second credits card. See more »

Alternate Versions

Shot in two versions simultaneously, using different actors: the English language version with Bela Lugosi and a Spanish language version with Carlos Villarías See more »

Connections

Referenced in Serial Mom (1994) See more »

Soundtracks

Unfinished Symphony
(1822) (uncredited)
Written by Franz Schubert
See more »

Frequently Asked Questions

See more »

User Reviews

 
Lugosi's Triumph
23 July 2004 | by Arriflex1See all my reviews

Tod Browning's film of the Stoker novel didn't so much eclipse Murnau's NOSFERATU (1922) as shove it into antiquity. One big reason was the technological advancement of sound. Roughly three years old by 1930, the public embraced the talking picture wholeheartedly over silents.

The other big reason for Dracula's success was that the star of the stage play had been cast as the star of the film. And movie history was made. Bela Lugosi's Count Dracula is now a eighty-one year old icon, outlasting all other interpretations before or since. The twist is that this Dracula looks nothing like Stoker's creation (read the book). Lugosi, either through his work with the playwrights or later at Universal with Browning, devised the most insidious form the character would ever take- a handsome, courtly, well-groomed, civilized aristocrat, so gracious and attractive that he projected an aura of well-being over the viewer. This was worlds away from the Murnau/Max Schreck approach of head-on abomination in NOSFERATU.

Sensibly, no one in their right mind would stay within viewing distance of Schreck (or Kinski in NOSFERATU, THE VAMPYRE and Dafoe in SHADOW OF THE VAMPIRE) after the first glimpse. But Lugosi's Count would have you chatting and drinking wine- until he began to drink of you. That cape and those evening clothes are the perfect deception. Browning's Dracula is sometimes stagy and tentative in its continuity (it feels at times that the director was unsure where to go next in the progression of scenes). But Karl Freund's photography summons up a persistent mood of heavy gloom and enveloping dread.

Two other assets in the film are Edward Van Sloan as Van Helsing and Dwight Frye as Renfield. Van Sloan was Universal's resident Learned Man, appearing as an Egyptologist in THE MUMMY (1933), and perhaps most famously as Dr. Waldman in FRANKENSTEIN (1931). A career-long character actor, Dwight Frye was an eccentric talent who appears to have worked exclusively at Universal. He had his best role as Renfield, producing a still blood-curdling, sneering laugh that seemed to come from the depths of a hellish insanity. If you haven't seen this Dracula please do so. The Count awaits.


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