Dracula (1931)

The ancient vampire Count Dracula arrives in England and begins to prey upon the virtuous young Mina.

Directors:

Tod Browning, Karl Freund (uncredited)

Writers:

Bram Stoker (by), Hamilton Deane (from the play adapted by)

Stars:

Bela Lugosi, Helen Chandler, David Manners

5 wins & 3 nominations.

Cast

Complete credited cast:
Bela Lugosi	...	Count Dracula
Helen Chandler	...	Mina
David Manners	...	John Harker
Dwight Frye	...	Renfield
Edward Van Sloan	...	Van Helsing
Herbert Bunston	...	Doctor Seward
Frances Dade	...	Lucy
Joan Standing	...	Maid
Charles K. Gerrard	...	Martin (as Charles Gerrard)

Storyline

After a harrowing ride through the Carpathian mountains in eastern Europe, Renfield enters castle Dracula to finalize the transferral of Carfax Abbey in London to Count Dracula, who is in actuality a vampire. Renfield is drugged by the eerily hypnotic count, and turned into one of his thralls, protecting him during his sea voyage to London. After sucking the blood and turning the young Lucy Weston into a vampire, Dracula turns his attention to her friend Mina Seward, daughter of Dr. Seward who then calls in a specialist, Dr. Van Helsing, to diagnose the sudden deterioration of Mina's health. Van Helsing, realizing that Dracula is indeed a vampire, tries to prepare Mina's fiance, John Harker, and Dr. Seward for what is to come and the measures that will have to be taken to prevent Mina from becoming one of the undead.

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Plot Keywords:

vampire | abbey | castle | alternate version | throat ripped out | 

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Taglines:

The story of the strangest Passion the world has ever known!

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Genres:

Fantasy | Horror

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Certificate:

Passed

Details

Official Sites:

Official Facebook

Country:

USA

Language:

English Hungarian Latin

Release Date:

14 February 1931 (USA)

Also Known As:

Dracula

Filming Locations:

Chatham Historic Dockyard, Chatham, Kent, England, UK

Box Office

Budget:

$355,000 (estimated)

Cumulative Worldwide Gross:

$84,758

Company Credits

Production Co:

Universal Pictures

Technical Specs

Runtime:

75 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White (tinted)

Aspect Ratio:

1.20 : 1

Did You Know?

Trivia

Contrary to what has been written by both Jewish and anti-Semitic writers, the neck order worn by Dracula is not a Star of David.

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Goofs

When Renfield is killed, the sound of his body rolling down the steps reveals that they are actually made of wood and not stone.

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Quotes

[first lines]
Young Girl Passenger: [reading from a Transylvanian tourist brochure] "Among the rugged peaks that crown down upon the Borgo Pass are found crumbling castles of a bygone age."

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Crazy Credits

The title card was revised at the last moment to include playwrights Hamilton Deane and John L. Balderston. But the old title card, with the movie's title in a different typeface, is still visible briefly at the tail end of a lap dissolve to the second credits card.

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Alternate Versions

Originally released with a tongue-in-cheek epilogue in which Edward Van Sloan addresses the audience about what they have just seen. Although dropped from later prints, and not restored for the 2004 DVD release, a short clip is included at the conclusion of the documentary The Road to Dracula.

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Connections

Version of Matinee Theatre: Dracula (1956)

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Soundtracks

Moon Dust
(uncredited)
Music by Nicolas Flagello
[French version re-release soundtrack only.]

User Reviews

The Flawed Masterpiece

The 1931 `Dracula' casts an imposing shadow over the horror genre. It is, after all, the movie that launched the classic Universal horror cycle of the 1930s and 1940s. It is also a tremendous influence on the look and atmosphere of horror movies in general (and vampire movies in particular). It gave Dracula a look and a voice, and created a legend.

Okay, so we know it was influential. But how does it work as a movie? Well… the first time I watched it, I was underwhelmed. The pace is slow. While Bela Lugosi's Dracula is menacing, the rest of the cast is colorless to the point of transparency. There are some good gliding camera shots here and there (thank you, Karl Freund!), but the majority of the film is locked into stationary medium and long shots. The film is tightly bound to its theatrical origins – director Browning has his characters look at things out of frame and describe them rather than just showing us, which would be much more effective.

Fortunately, `Dracula' improves with repeated viewings. The glacial pace and lack of sound in many places gives the movie a nightmarish sense of menace. In fact, `Dracula' is somewhere between a nightmare and a piece of classical music – everything proceeds at its own pace, gliding through the motions, gradually building suspense and momentum until the piece reaches climax. The end result is a flawed but haunting, hypnotic masterpiece, and one of the greatest vampire films ever made.