8.6/10
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244 user 147 critic

City Lights (1931)

With the aid of a wealthy erratic tippler, a dewy-eyed tramp who has fallen in love with a sightless flower girl accumulates money to be able to help her medically.

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Cast

Complete credited cast:
... A Blind Girl
Florence Lee ... The Blind Girl's Grandmother
... An Eccentric Millionaire
... James - the Millionaire's Butler (as Allan Garcia)
... A Prizefighter
... A Tramp (as Charlie Chaplin)
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Storyline

A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor. Written by John J. Magee <magee@helix.mgh.harvard.edu>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 March 1931 (USA)  »

Also Known As:

City Lights: A Comedy Romance in Pantomime  »

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Box Office

Budget:

$1,500,000 (estimated)

Gross USA:

$19,181, 6 July 2007
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| (musical score)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

Virginia Cherrill said that when she renegotiated her contract to be brought back onto the film, she was given advice by Marion Davies. See more »

Goofs

(at around 39 mins) When the Tramp accidentally swallows the whistle, his real eyebrows are visible beneath his fake ones. This was done intentionally to give him a lopsided, intoxicated facial expression. See more »

Quotes

The Tramp: You can see now?
A Blind Girl: Yes, I can see now.
See more »

Connections

Featured in Troldspejlet: Episode #31.1 (2004) See more »

Soundtracks

Tomorrow the Sun Will Shine
(1931) (uncredited)
Music by Charles Chaplin
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Frequently Asked Questions

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User Reviews

Amusing comedy sets up SPECTACULAR ending

This is my favorite Chaplin film, but I don't want that to diminish his other work, either. MODERN TIMES was an outstanding work of social satire, THE GOLD RUSH was great slapstick, and even the largely-neglected MONSIEUR VERDOUX strikes a certain unforgettable tone. Chaplin didn't make a bad movie, and I'm not even sure that CL is his best, exactly. But it IS my favorite, if only for the ending.

That ending has been the subject of much comment here. I think it's a masterpiece in a single scene. Chaplin's little tramp has never seemed less like a character and more like a living, breathing human being. It's a monument to understated sentimentality.

To me, the rest of the film exists largely to set the context for that one magnificent piece of celluloid. Yes, the boxing scene is great, and the scene where he rescues the millionaire is also wonderful, but it's that ending that makes us all love this movie.


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