A society novelist brings a brash young chorus girl home in order to study her for inspiration for his new novel. His family is distraught, but soon her behavior has forever altered their ...
See full summary »
Shades of Othello loom in this engrossing exploration of class, race, and murder set on an ocean liner. Young Dainah encounters an engineer on board who mistakes pleasantries for flirtation... See full summary »
Romance and heartbreak walk hand-in-hand when Philip Chagal accidentally meets Helen Lawrence in a restaurant where she is a waitress. Unhappily married to a woman who suffers from mental ... See full summary »
Golden is a two-bit gambler who has promised wife Virginia he'll quit when he makes $200,000. When he fixes a fight he gets mobster Mossiter mad, then loses his fortune to him. He pawns his... See full summary »
Edwin J. Burke
A middle aged millionaire falls in love with a gorgeous, but stupid blonde gold digger, being guided by her ever-present shrewish friend.They marry but the man soon regrets his rash move ... See full summary »
Alfred L. Werker
A romantic drama partially set in Amsterdam, the story starts out in a mining area in Holland where conditions are about as rough as they get. Two of the miners, Italians Federico (Lino ... See full summary »
Garadoux has beaten his wife. His lawyer Fremissin is young and very shy, and therefore, not very efficient... Two years after, Garadoux is trying to seduce Cecile, but she prefers ... See full summary »
A society novelist brings a brash young chorus girl home in order to study her for inspiration for his new novel. His family is distraught, but soon her behavior has forever altered their snobbish ways.Written by
Jim Beaver <email@example.com>
Alan Dinehart is an author looking to draw inspiration from reality, so he pays the court costs of Sally O'Neill, and takes her home in this Pygmalion story.
Everyone is good in their role: Miss O'Neill as the rough-and-tumble Brat, Dinehart as the snobby and increasingly unlikable author. Albert Gran is fine as the live-in bishop and J. Farrel MacDonald, a Ford regular. Joseph August's camera-work is as good as it's ever been, particularly in the opening sequence at night court. However, the show creaks as a sort of cut-rate version of George Bernard Shaw's version of the Greek myth.
The problem is that, except for MacDonald's relationship with Frank Albertson, playing Dinehart's put-upon and whiny younger brother, this movie does not play to any of Ford's strength. With the coming of sound he had to learn to direct anew, and took this as another assignment. The result is another rote production with the excellent camera-work that distinguished Fox productions in this period as its only point of interest to anyone not interested in seeing everything that John Ford directed.
0 of 8 people found this review helpful.
Was this review helpful to you?
| Report this