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Blonde Crazy (1931)

TV-G | | Comedy, Crime, Drama | 14 November 1931 (USA)
The adventures of an egoistic con man and his glamorous accomplice.



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Complete credited cast:
William Burress ...
Col. Bellock
Mrs. Snyder
Hank - aka Pete


At a midwestern hotel, conniving bellhop Bert Harris has a finger in every pie. He promotes a job for glamorous Ann Roberts, but she does not immediately succumb to his charms. However, Bert soon enlists Ann as partner in his new profession of con man. Most of the victims they fleece are lawbreakers themselves. But Bert is tempted to try actual stealing, and Ann fears it will bring bad luck... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


Jim's back!... with a brand new line!


Comedy | Crime | Drama | Romance


TV-G | See all certifications »




Release Date:

14 November 1931 (USA)  »

Also Known As:

Larceny Lane  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


Bert is reading a real copy of Sucess magazine. Founded in 1897 to promote the "New Thought" philosophy. The issue date at the top of the cover has been taped over or cut off. See more »


When Bert is in the car chase, they pass a Three Owl drug store, which was a West Coast chain, despite the scene being set in New York City. Other advertising also points to California: a See's candy store and a neon sign for Motorite motor oil from the Union Oil Co. See more »


Bert Harris: Seriously, Ann, there's a lot of loose money lying around if you only know where to look for it. Now, the world owes me a living and I'm going to collect it, see? I'm not built for work. That's for horsin', for slack-offs like that four-eyed goon clerk. Now, you've got beauty and a swell figure. We're a perfect combination! With my ideas and your looks, we could churn the world.
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When Your Lover Has Gone
(1931) (uncredited)
Written by E.A. Swan
Played and sung during the credits by an uncredited tenor
Played by an orchestra at a nightclub
Played as background music when Bert proposes to Anne
Played as background music at the end
See more »

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User Reviews

A strange little Pre-Code flick
19 July 2014 | by See all my reviews

Aside from an ending that just seemed too vague and too abrupt, this is a very little enjoyable film from Warner Brothers. In some ways, it's very much a Pre-Code style film but it's not as salacious as some of the more extreme films during the era. Sure, there is a some sexual innuendo and the main characters are awfully amoral, but it other ways things are bizarrely chaste--and it's something you really need to see to appreciate.

The film begins with Ann (Joan Blondell) looking for a job at a hotel. A slick bellboy, Bert (James Cagney) helps her get a job and almost immediately begins pawing at her. He's also a guy who is a bit of a huckster--and he schemes and pulls off petty grifter schemes for extra money. Want an example of the sort of dialog in this part of the film?

Bert Harris: Now, you play ball with me... and your worrying days will be over.

Ann Roberts: Yeah? How about the nights?

Bert Harris: (smirks) Well, I'll see what I can do about those too, honey!

As I said, there is a lot of innuendo. However, unlike films like "Red- Headed Woman" and "Platinum Blonde", the leading lady in this one seems to have her virtue intact throughout the film. Ann is willing to go along with some of Bert's schemes but keeps him at a distance throughout the film.

Eventually, the pair get tired of penny ante stakes and quite their jobs to travel the country cheating boobs here and there. The trouble is that in the process, the pair obviously become quite fond of each other. But Ann doesn't want this sort of life forever and eventually falls for a stockbroker (Ray Milland). What's in store for Bert? Well, watch the film for the super-bizarro ending to see for yourself. I don't want to give it away but suffice to say it seems to come from out of no where and the ending of the film is incredibly vague and a bit unsatisfying-- hence my score of only 7 when it easily could have earned a higher rating up until then.

The overall moral of the film seems to be EVERYONE is corrupt and what you get out of life is what you can take--a thoroughly Pre-Code moral in every way! Still, despite its dubious life lesson, the film is well acted and paced, quite enjoyable to watch and offers Cagney a part to play one of his strangest characters. This isn't the nasty criminal sort he played in "Public Enemy" nor the heroic sort he played in Post- Code films, that's for sure.

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