A naïve young man is working on a logging camp beside a turbulent river. When it closes for winter, he opts to stay for the experience. He meets a woman who was the girlfriend to the boss ... See full summary »
A mug and a jane: Dorothy knows that every guy is going to make a pass at her; Eddie knows that every gal wastes her money on good times. He's saving to open a repair shop. When the two of them meet, they can't believe they get along. One evening he leaves her waiting in the rain; she finds his apartment and reads him the riot act. They end up spooning and napping until 4 AM. She's afraid of her brother, who's her guardian, so Eddie figures she should tell her brother that she's getting married the next morning. Dorothy tries out the story but knows Eddie won't show up. It's the first of a series of promises, fears, miscalculations, and hard knocks. Where will they end up?Written by
(1930). Stage Play: Bad Girl. Drama. Written by Brian Marlowe [credited as Brian Marlow] and Viña Delmar. Directed by Marion Gering. Hudson Theatre: 2 Oct 1930- Dec 1930 (closing date unknown/85 performances). Cast: Sascha Beaumont (as "Maude"), Lawrence Bolton (as "Pat"), Emily Graham (as "Mrs. Vernon"), Joan Harmon (as "Miss Lambert"), Martin Howe (as "Doctor Stewart"), Angela Jacobs (as "Mrs. Lensky"), Paul Kelly (as "Eddie"), Eleanor Merlin (as "Miss Parsons"), Grace Morse (as "Miss Brown"), 'William Pawley (I)' (as "Jim") [final Broadway role], Sylvia Sidney (as "Dot"), Walter Vaughn (as "Ted"), Joan Winters (as "Sue"), Charlotte Wynters (as "Edna"). Produced by Robert V. Newman. Note: Filmed by Fox Film Corporation as Bad Girl (1931) (William Pawley played the role of Dorothy's brother in the stage version, and reprises his role in the film). See more »
At 34:06, the position of Dot's hands on her knees change, and the blanket also shifts, going from a quilted square pattern to a swoop line. See more »
I gotta go upstairs now. You see, my mother's dead, and my brother's boss of the house. He gets sore when I stay out late. You know, he's careful for me. But as Edna says, you can't watch a girl hard enough to keep her good if she don't want to be.
See more »
Bad Girl is included in the new Murnau/Borzage and Fox collection,and kudos to them for making it available! Though an excellent little slice of life film from the Depression Era, I definitely wouldn't say that it compares with Borzage's timeless silent romances, though Borzage's recurrent theme of love conquering all is here to.The lead actors,Sally Eilers, and James Dunn, both do fine jobs, especially Dunn, who paints a very realistic portrait of a "regular Joe", decent kind of a guy. His performance rings true, and he later made a comeback, winning the Oscar for Best Supporting Actor in A Tree Grows in Brooklyn.(1945) This is the story of a young couple's struggle to make it through marriage, finances, and becoming parents. The background story of what was considered "making it" in a poor economy is especially pertinent today. Dunn's character, Eddie Collins, thought it was opening his own radio shop, providing his wife with an elaborately furnished apartment, and getting her the best doctor for her delivery. Not so different from what young couples are facing today! The film is sometimes a bit too wordy, but the slang of the time is a hoot! As one of Borzage's smaller films, it's worth a watch.
25 of 27 people found this review helpful.
Was this review helpful to you?
| Report this