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The Unholy Three (1930)

Passed | | Crime, Drama, Romance | 12 July 1930 (USA)
"Talkie" remake of Tod Browning's 1925 silent film. A trio of former sideshow performers double as the "Unholy Three" in a scam to nab some shiny rocks.

Director:

Jack Conway

Writers:

Clarence Aaron 'Tod' Robbins (from the book by) (as Clarence Aaron Robbins), J.C. Nugent (continuity and dialogue) | 1 more credit »
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Cast

Complete credited cast:
Lon Chaney ... Echo
Lila Lee ... Rosie
Elliott Nugent ... Hector
Harry Earles ... Midget
John Miljan ... Prosecuting Attorney
Ivan Linow ... Hercules
Clarence Burton Clarence Burton ... Regan
Crauford Kent ... Defense Attorney
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Storyline

Professor Echo is a sideshow ventriloquist who recruits two sociopathic co-workers, Midge and Hercules, the show's midget and strong man respectively, into a burglary ring. Echo disguises himself as the elderly Mrs. O'Grady, the owner of a pet store, who sells talking parrots and mynah birds to a high-class clientèle with Hercules posing as his son-in-law married to Echo's pickpocket girlfriend Rosie and Midge passing as their infant son. Echo's ventriloquist skills initially convince the customers that their parrot can talk, but they're disappointed when they bring the mute bird home. A phone call of complaint brings Grandma O'Grady and her daughter's "baby" to the client's house to facilitate the bird's talking, an opportunity to case the house for a subsequent robbery by "The Unholy Three." Written by duke1029@aol.com

Plot Summary | Add Synopsis

Taglines:

Lon Chaney Talks See more »

Genres:

Crime | Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

12 July 1930 (USA) See more »

Also Known As:

A szentségtelen hármas See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

Known as "The Man of 1000 Faces", Chaney signed a legal affidavit declaring all the voices he performed in this, his only talking film, were actually his own. Thus, in addition to multiple characters, he performed multiple voices. See more »

Quotes

[first lines]
Sideshow Barker: This is just a little sample of what you will see on the inside. The beginning of the religious dance of the muscleman. This is the dance that broke the sultan's thermometer! Just a moment there, the big sensations for the inside. Remember I said, the big sensation on the inside. The admission is a dime, ten cents or ten part of a dollar.
See more »

Alternate Versions

An alternate ending was shot but never released. Closer to the original silent version, it has Echo telling Rosie to go to Hector at the carnival after he makes a full confession in the court. See more »

Connections

Referenced in Man of a Thousand Faces (1957) See more »

Soundtracks

The Prisoner's Song
(1924) (uncredited)
Written by Guy Massey
Sung by Harry Earles
See more »

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User Reviews

The swan song of an artist
27 February 2000 | by BobLibSee all my reviews

Make no mistake, Lon Chaney Sr. was one of the most talented and versatile actors in the history of American Film. And in this, his only completed sound film, he is brilliant. As Professor Echo he uses his own pleasant voice (William Holden's voice is a good comparison), while he effectively and believably changes his voice during his old lady disguise. One wonders if he knew he was terminally ill when he made this film. Several sound vehicles were planned for him: "Dracula" (Bela Lugosi became a star inheriting the Chaney part), "The Sea Bat" (Charles Bickford), "The Phantom of Paris" (John Gilbert), and "The Big House" and "The Bugle Sounds" (Wallace Beery, the former establishing him in sound films.). One can only wonder how any of these films would have been if Chaney had lived to complete them.

But Chaney's is not the only good performance here. Lila Lee and future director-screenwriter Elliott Nugent are both good as the young lovers, the former's scenes with Chaney being some of the best in the picture. And, just as much as he did in the silent version, midget Harry Earles conveys pure menace as the depraved dwarf Tweedledee, although a combination of early sound equipment and his thick German accent make many of his lines all but incomprehensible. Reducing that accent by half, he would do impressive work in "Freaks" and, of course, "The Wizard of Oz" later in the decade. The only other roles of any size fall to veteran character men Clarence Burton and John Miljan, and they prove themselves more than up to the task.

Probably the only way anyone will get to see this film, until MGM decides to release it on video, is on Turner Classic Movies, which is where I saw it recently. If you do see it, you're in for a rare treat.


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