The Blood of a Poet (1932) - News Poster

News

Rediscover Jean Cocteau’s ‘Les Parents terribles’ in Exclusive Trailer for 70th-Anniversary Theatrical Restoration

Jean Cocteau’s filmography could be considered relatively modest compared to some of his French brethren — but with an output among cinema’s most immense, no less influential. While I imagine most reading this have seen his canonical landmarks such as La Belle et la Bête and Orphée, there are still a select few that go overlooked due to lack of distribution.

Les parents terribles (The Storm Within) will, thankfully, no longer be one, for the Cohen Film Collection have given his 1948 melodrama a 70th-anniversary 2K restoration, and it will finally make a U.S. premiere this Friday at the Quad Cinema. Adapted by Cocteau from his own stage play and featuring the same cast of Gabrielle Dorziat, Jean Marais, Josette Day, Marcel André, and Yvonne de Bray, the film follows a man who, while still living with his parents and aunt, falls for his father’s mistress.

We’re
See full article at The Film Stage »

New to Streaming: ‘Punch-Drunk Love,’ ‘Free Fire,’ ‘The Salesman,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

Best in Show (Christopher Guest)

Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is
See full article at The Film Stage »

Against Interpreting Cocteau

Close-Up is a feature that spotlights films now playing on Mubi. Jean Cocteau's The Blood of a Poet (1932) is playing July 5 - August 4, 2017 on Mubi in the United States as part of the series Cocteau's Poets.“…images born of cinema with the cosmogony of a poet.”—Henri Langlois on The Blood of a PoetThe films of Jean Cocteau have distinguished themselves among early twentieth-century cinema at large. This is due, arguably, to Cocteau’s works existing best as experiences rather than as proper films, and to their openness to interpretation. This is especially true of Cocteau’s The Blood of a Poet, made in 1930 but not shown publicly until 1932, and one which has inspired as many critical interpretations since the filmmaker’s death in 1963 as Bosch’s Garden of Earthly Delights, Stravinsky’s Rite of Spring, or Bergman’s Persona. Like those works, The Blood of a Poet
See full article at MUBI »

NYC Weekend Watch: Jean Cocteau, James M. Cain, ‘Mad Max’ & More

Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Anthology Film Archive

Make it a Jean Cocteau weekend: The Blood of a Poet and Orpheus screen on Friday, the former also showing on Saturday and the latter on Sunday. Beauty and the Beast also shows on those days.

A Jia Zhangke retrospective comes to an end. If you’ve not yet seen Mountains May Depart,
See full article at The Film Stage »

Metrograph, New York City’s Newest Indie Theater, Unveils Impressive First Slate of Programming

Each weekend we highlight the best repertory programming that New York City has to offer, and it’s about to get even better. Opening on February 19th at 7 Ludlow Street on the Lower East Side is Metrograph, the city’s newest indie movie theater. Sporting two screens, they’ve announced their first slate, which includes retrospectives for Fassbinder, Wiseman, Eustache, and more, special programs such as an ode to the moviegoing experience, and new independent features that we’ve admired on the festival circuit (including Afternoon, Office 3D, and Measure of a Man).

Artistic and Programming Director Jacob Perlin says in a press release, “Jean Eustache in a Rocky t-shirt. This is the image we had in mind while making this first calendar. Great cinema is there, wherever you can find it. The dismissed film now recognized as a classic, the forgotten box-office hit newly resurrected, the high and the low,
See full article at The Film Stage »

Allen Ginsberg’s 10 Favorite Films

Before its flame was extinguished, New York’s legendary Kim’s Video contributed further to the world of cinephilia by polling better-known customers about their favorite films. One of these customers happened to be Allen Ginsberg, a figure whose relative lack of experience in cinema certainly won’t stand as any sort of qualifier. Thanks to The Allen Ginsberg Project (via Open Culture), we can now get a wider — and, to our eyes, more immediately understandable — grasp of what made this generation-defining voice tick.

Two interests — French Poetic Realism and the work of (or at least work heavily relating to) his fellow Beat poets — announce themselves rather clearly, given the fact that they arguably occupy 90% of the final list. The sole “outsider” is Battleship Potemkin, a picture that, with fierce political intentions and poetic inclinations in its cutting, nevertheless makes perfect sense as a Ginsberg favorite. Some of these are
See full article at The Film Stage »

Starmaker Allégret: From Gay Romance with 'Uncle' (and Nobel Winner) Gide to Simon's Movie Mentor

Marc Allégret: From André Gide lover to Simone Simon mentor (photo: Marc Allégret) (See previous post: "Simone Simon Remembered: Sex Kitten and Femme Fatale.") Simone Simon became a film star following the international critical and financial success of the 1934 romantic drama Lac aux Dames, directed by her self-appointed mentor – and alleged lover – Marc Allégret.[1] The son of an evangelical missionary, Marc Allégret (born on December 22, 1900, in Basel, Switzerland) was to have become a lawyer. At age 16, his life took a different path as a result of his romantic involvement – and elopement to London – with his mentor and later "adoptive uncle" André Gide (1947 Nobel Prize winner in Literature), more than 30 years his senior and married to Madeleine Rondeaux for more than two decades. In various forms – including a threesome with painter Théo Van Rysselberghe's daughter Elisabeth – the Allégret-Gide relationship remained steady until the late '20s and their trip to
See full article at Alt Film Guide »

The Forgotten: Never Explain a Mystery, Never Wake a Sleepwalker

  • MUBI
At around the time that the Vicomte de Noailles was dabbling in film finance with Cocteau's The Blood of a Poet and Buñuel's L'Age d'Or, another aristocrat, the Belgian duke Henri D'Ursel, adopted a pseudonym to direct and star in La perle (1929), a short surrealist fantasia owing much to the twin influences of Murnau's Nosferatu and Feuillade's Les vampires.

It's a charming and elegant (and slightly sinister) piece. We're told that the surrealists admired Feuillade partly because they saw his serials without the intertitles, which had been lost, so the plotlines, already oneiric and chancy, became even more opaque, transforming from linear thrillers into a random series of outrages. D'Ursel, following Murnau's lead in The Last Laugh, has only one letter and no intertitles at all, leaving us to more or less invent our own narrative to make sense of the dreamy events he depicts.

This much is certain
See full article at MUBI »

Francophrenia or "Don't Kill Me, I Know Where the Baby Is"

In 127 Hours, James Franco hacked away at his arm. During Francophrenia, you might just wish he did the same to his head.

This is a shame, because this 70-minute documentary covering the star's return to the soap General Hospital, where he started out in 2009, begins as an impressive Fellini-esque dissection of American society, celebrity, and the at-times thin membranes separating an actor's public persona from the roles he plays and his inner self.

The film, however, degenerates into a masturbatory mockumentary which reveals that the co-directors -- Ian Olds and Franco himself -- have little vision, piddling wit, and negligible respect for their prospective audiences. Imagine David Lynch shooting his own colonoscopy, and you're halfway there. 

This enterprise, a highlight of the Tribeca Film Festival, is accumulated from 40 hours of footage of rehearsals, backstory, fan interaction, and the actual shooting of an episode where the actor James Franco plays a disturbed character named "Franco,
See full article at CultureCatch »

This week's new film events

London Comedy Film Festival

A quick burst of winter blues-banishing, with comedies old (1960s heist comedy Go To Blazes), new (a preview of the new Muppets movie) and both old and new (a "world premiere" read-through of The Day Off, a movie written for Tony Hancock by Galton and Simpson, which was never made). Guest of honour is Edgar Wright, who introduces a double bill: Shaun Of The Dead and Mike Leigh's Life Is Sweet, with guests and a Q&A; and there are discoveries to be made in anarchic French movie The Fairy and a secret new British comedy.

BFI Southbank, SE1, Thu to 29 Jan

Steven Severin: Vampyr, Nationwide

Following the success of his spooky live soundtrack to Jean Cocteau's avant-garde 1932 film The Blood Of A Poet last year, the former Siouxsie And The Banshees bassist embarks on a tour with another freshly rescored classic. This
See full article at The Guardian - Film News »

Blu-Ray Review: Jean Cocteau’s ‘Orpheus’ Gets New Life on Criterion

Chicago – “Interpret as you wish,” invites narrator and filmmaker Jean Cocteau prior to his contemporary retelling of the Orpheus legend and the second installment of his Orphic Trilogy, which also includes 1930’s “The Blood of a Poet” and 1960’s “Testament of Orpheus.” Cocteau’s 1950 masterwork, simply titled “Orpheus,” is one of his most emotionally complex and deeply personal projects. It’s also a lot of fun.

Unlike other avant-garde filmmakers, Cocteau sports a immensely playful spirit that causes viewers to wholly embrace his onscreen abstractions rather than dissect them for their intended meaning. The titular protagonist in “Orpheus” is told by another character that the “dreamer must accept his dreams,” and Cocteau expects his audience to follow suit. This results in a picture of unforgettable images as whimsically absurd as they are dramatically resonant.

Blu-Ray Rating: 5.0/5.0

Jean Marais stars as Orpheus, the poet famous in Greek mythology for journeying into
See full article at HollywoodChicago.com »

Beauty And The Beast and Leon Morin, Priest Criterion Blu-ray Reviews

Jena Cocteau and Jean-Pierre Melville are two of the most important French filmmakers of the 20th century, and worked together on the film Les Enfants Terrible, with a script from Cocteau and direction from Melville. And though Cocteau has been lauded as one of the great artists of the 20th century, Melville is has only recently been discovered. It was a repertory release of Le Samourai in the 1990’s that led to many of his works being championed and released by the Criterion Collection. Cocteau’s greatest film, Beauty and the Beast, and Melville’s kinky film about attraction to the unattainable Leon Morin, Priest are now on Blu-ray thanks to the Criterion Collection. Our reviews of both follow after the jump. When Jean Cocteau came to direct La Belle et La Bette (The Beauty and the Beast) in 1946, he was coming to it as the war was ending. He
See full article at Collider.com »

New Release: Jean Cocteau’s Orpheus Blu-ray and DVD

Orpheus, Jean Cocteau’s 1950 fantastical update of the renowned Greek myth, will receive what’s sure to be a sparkling release by Criterion on Blu-ray and DVD on Aug. 16. The Blu-ray and DVD will carry the list prices of $39.99 and $29.99, respectively.

Jean Marais prepares to step through the mirror in Orpheus.

Cocteau’s film focuses on a famous poet (Jean Marais, Beauty and the Beast) scorned by the Left Bank youth, and his love for both his wife Eurydice (Marie Déa) and a mysterious princess (Maria Casarès). In search of inspiration, the poet follows the princess to the land of the dead through a dazzling mirrored portrayal, where more dreamlike storytelling and visual poetry awaits…

The second movie in Cocteau’s Orphic Trilogy, which also includes 1930’s The Blood of a Poet and Testament of Orpheus from 1959, Orpheus remains one of the surrealist artist’s most mesmerizing, sensual works.

Presented in French with English subtitles,
See full article at Disc Dish »

FanTasia 2010: Festival Report

  • HeyUGuys
If you’re a regular HeyUGuys reader you will have seen a few reviews from FanTasia 2010 on the site the past couple of days and there are still a lot more to come but I wanted to put these in context of the wonderful festival that I saw them at as it draws to a close today.

Now in its 14th year FanTasia is one of North America’s largest film festivals and it is particularly dedicated to genre cinema from all over the world. The range of films on offer for audiences is just staggering with films such as the strangely appropriate The Sorcerers Apprentice, Scott Pilgrim or The Land Before Time sitting alongside A Serbian Film or The Human Centipede. The festival also supports the screening of older films with the 2010 FanTasia Festival having fantastic highlights such as the restored Metropolis and Steven Severin (of Banshees fame) providing
See full article at HeyUGuys »

Here Comes Fantasia 2010! Opening Remarks From Head Programmer Mitch Davis!

The 2010 edition of Montreal's Fantasia Festival is just around the corner and the time has come for a sweeping wave of program announcements. We're dividing these up into individual program announcements to keep the amount of information manageable, and we kick things off now with the introductory comments of head programmer Mitch Davis.

Greetings, cinephiles! Welcome to July 2010, Fantasia style. Get your neurons sparked for the biggest, most spectacular fest we've mounted to date. For the next three weeks, Montreal is going to crumble under the weight of over 120 feature films and several hundred shorts, many being screened for the first time on this continent, some showing for their first time anywhere in the world. You will experience new works from living legends of world cinema and discover brilliant emerging talents from a multitude of countries. You'd better be excited, because you're about to step into weeks of mind-altering revelations.
See full article at Screen Anarchy »

Anthology Film Archives’ Essential Cinema Repertory Collection

First the history, then the list:

In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.

Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.

The Essential Cinema Collection that the committee came up with consisted of about 330 films.
See full article at Underground Film Journal »

See also

Showtimes | External Sites