5.0/10
176
9 user 2 critic

Runaway Bride (1930)

Passed | | Crime, Drama, Romance | 4 May 1930 (USA)
A young socialite and a rich playboy elope to Atlantic City. However, she soon realizes he's not the man she wants him to be and tries to call off the wedding. A jewelry store robbery, murder and other mayhem are soon involved.

Director:

Donald Crisp

Writers:

H.H. Van Loan (play), Lolita Ann Westman (play) | 1 more credit »
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Cast

Complete credited cast:
Mary Astor ... Mary Gray - aka Sally Fairchild
Lloyd Hughes ... George Edward Blaine
Paul Hurst ... Sergeant Daly
David Newell ... Richard 'Dick' Mercer
Natalie Moorhead ... Clara Muldoon
Edgar Norton ... Williams - Blaine's Butler
Francis McDonald ... Barney Black
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Storyline

A young socialite and a rich playboy elope to Atlantic City. However, she soon realizes he's not the man she wants him to be and tries to call off the wedding. A jewelry store robbery, murder and other mayhem are soon involved.

Plot Summary | Add Synopsis

Taglines:

Plunging headlong into Danger! (original ad) See more »

Genres:

Crime | Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

4 May 1930 (USA) See more »

Also Known As:

Cooking Her Goose See more »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Photophone System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

This was the final film directed by Donald Crisp. Although he was a prolific director of silent films, this was the only sound film that he ever directed. From this point onwards, he worked exclusively as an actor until his retirement after the filming of Spencer's Mountain (1963). See more »

Goofs

When Mary (posing as Sally, the new cook) arrives at Blaine's house in the rain, her coat and hat are almost completely dry. Then, when the butler shows her in to meet Blaine, Mary's hat and coat show considerable areas of wetness. See more »

Quotes

George Edward Blaine: So, are you taking up cooking as a career?
Mary Gray - aka Sally Fairchild: Yes. You see, well, I tried working in department stores. But, it's so hard living on 20 a week.
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Soundtracks

Lovable and Sweet
(1929) (uncredited)
Music by Oscar Levant
(originally for Street Girl (1929))
Played during opening credits by Gus Arnheim and His Orchestra
See more »

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User Reviews

 
"Mr. Blaine, I've gotten myself into a mess"
5 January 2017 | by Jay RaskinSee all my reviews

Yes, the movie is awful, but there are some redeeming features, and it almost makes it into the "so bad, its good" category. I suspect that this was supposed to be a breezy screwball-comedy, crime-mystery picture. The comedy falls flat and there are too many jumps in the script and jumps in character logic to make the crime-mystery satisfying.

For example, why doesn't Mary Astor's character, Sally Fairchild,just use the fire escape to escape from the room that her runaway bridegroom has locked her in? Obviously the fire escape led down to the street as a criminal uses it to enter her room a few minutes later. The only reason seems to be that Sally couldn't escape from the room because then the criminal could not plant the diamonds on her to start the merry chase that the moves the rest of the plot forward. Then one wonders why Sally doesn't call the police when the criminal and another detective are shot in the room. Again, the answer seems to be, the movie would end right there after fifteen minutes, so she has to do the stupid thing and runaway. The screenwriter might reply that she's a runaway bride and that would be scandalous and disgraceful if the police found out. True, but she should be intelligent enough to figure out that being accused of murder trumps being accused of being a runaway bride. When she confesses to handsome Lloyd Hughes (the Lost World, 1925), "Mr Blaine, I've gotten myself into a mess," it is almost as if she's confessing to the audience how she feels about the movie she's appearing in.

The most redeeming feature and the reason to watch the movie is Mary Astor's wonderful performance. It is so sincere and she looks so beautiful and distressed throughout that you want to rush in and comfort her. It is an "A" performance in a throwaway "B" picture. We feel angry that the script and other characters are not being as sincere as Miss Astor. You feel as if her talents are being ignored and wasted. Thank goodness for John Huston and "the Maltese Falcon," otherwise modern audiences would not have appreciated Mary.

As mentioned by another reviewer, the cinematography is also quite good. It is another element that makes us sad that the script is so lightweight. Leo Tover was only 28 at the time. He would become one of the great cinematographers in Hollywood. He was nominated twice for an Oscar, but sadly, never won. "the Heiress," "the Day the Earth Stood Still," and "Love Me Tender" are some of his most well known works.

I would also note that Paul Hurst seems very comfortable playing a police sergeant. He played a detective or cop in about 20 other movies, although he was most famous for playing in Westerns.

In summary, this is a cheap, frustrating, throwaway movie, but not an uninteresting one.


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