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Redemption (1930)

| Drama | 2 May 1930 (USA)
Fedya wins Lisa away from her fiance, Victor Karenin. But after Fedya weds Lisa, he becomes infatuated with a gypsy girl, Masha. His duplicity leads to tragedy.

Directors:

Fred Niblo, Lionel Barrymore (uncredited)

Writers:

Dorothy Farnum (screenplay), Arthur Hopkins (play) | 2 more credits »
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Cast

Complete credited cast:
John Gilbert ... Fedya Protasoff
Renée Adorée ... Masha
Conrad Nagel ... Victor Karenin
Eleanor Boardman ... Lisa Protasoff
Claire McDowell ... Anna Pavlovna
Nigel De Brulier ... Petushkov
Tully Marshall ... Artimiev
Mack Swain ... Magistrate
Erville Alderson ... Bearded Mariner in Cafe
George Spelvin George Spelvin ... Magistrate (scenes deleted)
Sidney Bracey ... Waiter
Richard Alexander ... Policeman (as Dick Alexander)
Charles Quatermaine Charles Quatermaine ... Artimiev (scenes deleted)
Agostino Borgato Agostino Borgato ... Petushkov (scenes deleted)
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Storyline

Fedya wins Lisa away from her fiance, Victor Karenin. But after Fedya weds Lisa, he becomes infatuated with a gypsy girl, Masha. His duplicity leads to tragedy. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

He had ONE WOMAN IN HIS ARMS- ANOTHER IN HIS HEART! (Print Ad- Kentucky New Era, ((Hopkinsville, KY)) 10 June 1930)

Genres:

Drama

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Details

Country:

USA

Language:

English

Release Date:

2 May 1930 (USA) See more »

Also Known As:

Den sista utvägen See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)| Silent

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

According to a contemporary article in Film Daily, a silent version was filmed before the sound version - as when this film was produced in 1929, not all theaters had installed sound equipment yet. See more »

Connections

Version of Nights of Fire (1937) See more »

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User Reviews

 
A sound film for silent-film fans
4 October 2016 | by mbrindellSee all my reviews

A good sound film for its time that should be absolutely fascinating to any silent-film buff. Look at the cast list and the director's name. This film positively teems with former silent-film *STARS* at the onset of sound productions.

Perhaps not surprisingly, I feel this film would have been better if produced silent. It certainly has the silent "look" and a silent "pace" to it.

While I think all the actors' voices sound good (even Gilbert's), their line deliveries are occasionally suspect--but not too bad.

All in all a decent (not excellent) early sound picture that should hold silent-film fans rapt till the end credits.


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