Wall Street wizard, Larry Day, new to the ways of love, is coached by his valet. He follows Vivian Benton on an ocean liner, where cocktails, laced with a "love potion," work their magic. ...
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"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
A homeless woman named Hannah drifts into the lives of the kindly Ward family, in a small Indiana town in 1919. Hannah makes herself useful as a cook and housekeeper and stays with the ... See full summary »
Harry and Eve Graham are trying to adopt a baby. The head of the agency senses Harry is keeping a secret and does some investigating. He soon discovers Harry has done an unusual amount of ... See full summary »
A newspaper columnist and host of his own national network radio program, interviewing more film personalities on his show than any other commentator, is searching for a story for a Sunday ... See full summary »
Wall Street wizard, Larry Day, new to the ways of love, is coached by his valet. He follows Vivian Benton on an ocean liner, where cocktails, laced with a "love potion," work their magic. He then loses his fortune in the market crash and feels he has also lost his girl...Written by
Herman Seifer <firstname.lastname@example.org>
Titles of the unused Irving Berlin songs are: "It's Yours"; "What a Lucky Break for Me"; "They're Going Down (Brokers' and Customers' Song)"--which was rewritten as "Wedding and Crash"; "If You Believe"--a revised version was sung by Johnnie Ray in There's No Business Like Show Business (1954); "The Little Things in Life"--provided hit records in early 1931 for Gus Arnheim and His Cocoanut Orchestra (vocal by Bing Crosby) on Victor, and Ted Wallace and His Campus Boys (vocal by Dick Dickson) on Columbia; "A Toast to Prohibition"; "You've Gotta Do Right by Me" and "(I Ask You) Is That Nice?" See more »
There's a vast difference, sir, between the art of making money and the art of making... a lady.
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This glorious Art Deco cocktail talkie from 1930 is possibly one of the top three masterpieces of set design of the early talkie era. An student of film set and costume design for this period - and any snazzy modernist look will alternately swoon, scream, almost faint and want to large-print every scene and set of what I celebrate as a sensational art deco dazzler. Produced in 1930and reflecting the wealthy marble chrome and velvet of the zenith of 1929 jazz design REACHING FOR THE MOON is a sumptuous feast for the eyes. Even in the gasp worthy shortened version I goggled at, it rates an 8 for the visuals alone. It would rate a perfect 10 out of 10 only if it were the full version with the obviously deleted scenes and songs. On the big screen of a twinkling deco palace and in a 35mm print this film must have had depression audiences feasting... and for the rest of us 76 years later we can only slump in deco-exhaustion at the deliciousness of every frame. Then there is a lovely story, well realised and well scripted of a big rich boisterous dude realising the depth of emotional wealth of a modern woman and the love possible. Gorgeous Bebe Daniels and robust virile Fairbanks share some genuinely moving and very believable on deck scenes as the ocean liner reaches port and post Wall St crash of 29 reality. But the costumes! the scope of the travel and life presented, the deco friezes, the hallways! their apartments! God Almighty! This is art deco heaven and I only wish that some day we can see a perfect print of this treasure box delight in it's original production length with all the songs and scenes. Show this to someone studying set design and they will never forget it. It also contains some hilarious risqué pre code sexual frankness this era is famous for.... especially Edward Everett Horton testing some love clinches on Fairbanks in the balcony hammock when the electrician arrives and is mortified to see the tuxedo junction happening between the giggling fellers.
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