5.9/10
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14 user 5 critic

Paramount on Parade (1930)

Passed | | Music | 22 April 1930 (USA)
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
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Cast

Cast overview, first billed only:
Richard Arlen ... Hunter - Episode 'Dream Girl'
Jean Arthur ... Sweetheart - Episode 'Dream Girl'
George Bancroft ... Mug (Impulses)
Clara Bow ... Episode 'True to the Navy'
Evelyn Brent ... Bedroom Apache - Episode 'Origin of the Apache'
Mary Brian ... Sweetheart - Episode 'Dream Girl'
Clive Brook ... Sherlock Holmes (Murder Will Out)
Nancy Carroll ... Episode 'Dance Mad'
Maurice Chevalier ... Apache - Episode 'Origin of the Apache' / 'Park in Paris' / Finale
Gary Cooper ... Hunter - Episode 'Dream Girl'
James Hall ... Episode 'Dream Girl'
Dennis King ... Man to be Hanged - Episode 'The Gallows Song'
Abe Lyman ... Abe Lyman - Episode - 'Dance Mad'
William Powell ... Philo Vance (Murder Will Out)
Charles 'Buddy' Rogers ... Buddy Rogers - Episode 'Love Time' (as Buddy Rogers)
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Storyline

A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting singing "My Marine" (written by Richard A. Whiting and Raymond B. Eagan) to a group of U. S. Marines, including Stuart Eriwn, Stanley Smith and Frederic March; Buddy Rogers doing a song-duet with Lillian Roth called "Any Time's the Time to Fall in Love" (written by Elise Jans and Jack King), on a cuckoo-clock set; and Clara Bow singing and dancing in the "True To The Nany Now" number to a group of sailors. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Sparkling as a June night; intimate as marriage. Something entirely new in screen entertainment. (Print Ad- Daily Kentucky New Era, ((Hopkinsville, KY)) 14 June 1930) See more »

Genres:

Music

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English | Spanish | French

Release Date:

22 April 1930 (USA) See more »

Also Known As:

Galas de la Paramount See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(original) | (existing print)

Sound Mix:

Mono (Western Electric Sound System)

Color:

Color (2-strip Technicolor) (some sequences)| Black and White | Color (2-strip Technicolor) (seven sequences)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

Marlene Dietrich was originally announced to host the German language version of this film, but that never materialized. She allegedly filmed a sequence with her trademark tuxedo and top hat directed by Josef von Sternberg but whereabouts of this footage remain unknown. See more »

Goofs

The re-release opening credits credit producer Jesse L. Lasky as "Jessie" L. Lasky. See more »

Alternate Versions

Version for distribution of the original film in Romania, titled Parada Paramount (1930) included additional sketches by Romanian actors Ion Ian-Covescu and Pola Iliescu See more »

Connections

Alternate-language version of Paramount en parade (1930) See more »

Soundtracks

Come Back to Sorrento
Music by Ernesto De Curtis
New lyrics by Leo Robin
See more »

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User Reviews

 
Dreadful early talkie review - Chevalier the only plus
18 November 2013 | by bbmtwistSee all my reviews

I used to think KING OF JAZZ, Universal's entry into the studio review genre, was the worst, but Paramount tops it. MGM had THE Hollywood REVIEW, the best of the four; Warners had THE SHOW OF SHOWS; Paramount has PARAMOUNT ON PARADE.

Only 1 hour and 19 minutes, 20 seconds of this survives, leaving 21 minutes missing. I believe this is lost Technicolor footage (recently restored by UCLA), featuring four numbers: Dream Girl; Singing in a Gondola; The Gallows Song; and Isadore the Toreador.

What's left has only one redeeming feature and that is Maurice Chevalier in three numbers: History of the Apache (with Evelyn Brent and obviously directed by Lubitsch); One Girl (most likely directed also by Lubitsch) and the Sweeping The Clouds Away finale.

The comedy and musical numbers are from hunger with cheesy sets, forgettable writing and songs, and blah performances. Elsewhere in other reviews here you will find a run down of the numbers and their performers. Perhaps the worst singing is that f Nancy Carroll, although she dances well. Ruth Chatterton even sings better than Carroll, but her number is stupid and beneath her dignity as a dramatic actress.

It's fun to see all four of these, just to marvel at how talentless most all the studios were with the advent of sound and musical savor faire. Only MGM comes out on top.


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