A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ...
See full summary »
Mayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.
A beautiful showgirl, nicknamed 'the Canary', is a scheming nightclub singer. Blackmailing is her game and soon ends up dead. But who killed 'the Canary'. All the suspects who knew her had ... See full summary »
At the end of each year, the extremely wealthy but odious Greene family gets together at the spooky old family castle to establish terms of a will, though they despise each other. This year... See full summary »
Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue ... See full summary »
It's 1929. The studio gave the cinema its voice gave offered the audiences a chance to see their favorite actors and actresses from the silent screen era to see and for the first time can ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting singing "My Marine" (written by Richard A. Whiting and Raymond B. Eagan) to a group of U. S. Marines, including Stuart Eriwn, Stanley Smith and Frederic March; Buddy Rogers doing a song-duet with Lillian Roth called "Any Time's the Time to Fall in Love" (written by Elise Jans and Jack King), on a cuckoo-clock set; and Clara Bow singing and dancing in the "True To The Nany Now" number to a group of sailors.Written by
Les Adams <email@example.com>
Marlene Dietrich was originally announced to host the German language version of this film, but that never materialized. She allegedly filmed a sequence with her trademark tuxedo and top hat directed by Josef von Sternberg but whereabouts of this footage remain unknown. See more »
The re-release opening credits credit producer Jesse L. Lasky as "Jessie" L. Lasky. See more »
Version for distribution of the original film in Romania, titled Parada Paramount (1930) included additional sketches by Romanian actors Ion Ian-Covescu and Pola Iliescu See more »
Dreadful early talkie review - Chevalier the only plus
I used to think KING OF JAZZ, Universal's entry into the studio review genre, was the worst, but Paramount tops it. MGM had THE Hollywood REVIEW, the best of the four; Warners had THE SHOW OF SHOWS; Paramount has PARAMOUNT ON PARADE.
Only 1 hour and 19 minutes, 20 seconds of this survives, leaving 21 minutes missing. I believe this is lost Technicolor footage (recently restored by UCLA), featuring four numbers: Dream Girl; Singing in a Gondola; The Gallows Song; and Isadore the Toreador.
What's left has only one redeeming feature and that is Maurice Chevalier in three numbers: History of the Apache (with Evelyn Brent and obviously directed by Lubitsch); One Girl (most likely directed also by Lubitsch) and the Sweeping The Clouds Away finale.
The comedy and musical numbers are from hunger with cheesy sets, forgettable writing and songs, and blah performances. Elsewhere in other reviews here you will find a run down of the numbers and their performers. Perhaps the worst singing is that f Nancy Carroll, although she dances well. Ruth Chatterton even sings better than Carroll, but her number is stupid and beneath her dignity as a dramatic actress.
It's fun to see all four of these, just to marvel at how talentless most all the studios were with the advent of sound and musical savor faire. Only MGM comes out on top.
1 of 8 people found this review helpful.
Was this review helpful to you?
| Report this