Mary Turner goes up for three years on a crime she didn't commit. Once out she and former prison mates plan a scam in which old men can be sued for breach of promise - the "heart balm" ...
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Young American woman reunites with estranged divorcée mother living chic, carefree life in Paris. She falls for Harvard football star on vacation, but his conservative parents disapprove of the demimonde lifestyle of the two expatriates.
Mary Turner goes up for three years on a crime she didn't commit. Once out she and former prison mates plan a scam in which old men can be sued for breach of promise - the "heart balm" racket. After plotting verious ways to get back at the men who set her up initially, she softens and settles down.Written by
Ed Stephan <email@example.com>
1930's film "Paid" is worth every penny and a collector's item for film buffs primarily because of Joan Crawford! This was one of her first "talkies" and Joan determined to show the movie studio execs she was more than a flapper, proved she had the acting chops in her first compelling dramatic performance. She is mesmerizing! Supported by a strong cast like Marie Prevost as endearing wise cracking Agnes Lynch, Robert Armstrong as con artist Joe Garson and Purnell Pratt as the hateful Edward Gilder, her former boss, the film is well written and an entertaining story! Based on "Within the Law" by Bayard Veiller which ran successfully on Broadway in 1912 and three silent films later, this film version (and a talkie) is a must see. Although director Sam Wood does a decent job, it is evident that several scenes were shot like a stage play. The look of the film is interesting however, and set lighting captures the mood, especially with shots of Joan in the women's penitentiary. 30's Films of the day were somewhat stylized and the acting often exaggerated and over the top. But Joan Crawford is a natural and gives an unforgettable performance. She is a knockout in every sense of the word!
The premise is still a good one and this movie buff would love to see the film remade today in a modern version with excellent direction. But it would be hard to top Joan Crawford's performance. "Paid" opens up with a court scene that sentences wrongfully accused Mary Turner to three years in the pen for stealing from the Gilder store where she's worked as a clerk. The department store owner Edward Gilder and his high priced lawyer decisive in sending Mary to jail, represent the unfair establishment.
The film made shortly after the famous stock market crash, is a perfect film for the times. The viewer is immediately on board and Mary Turner represents the oppressed innocent trying to get ahead. It is no wonder that the film did so well in the box office. The first time the camera gives you a close up of Joan Crawford, it is a powerful and unforgettable experience. Joan shows her enormous talent in her hurt, indignant,scared and angry expressions as she receives her sentence. Her big eyes and convincing performance reels the audience in and the viewer becomes an ally with her promise to avenge herself. I was glued to the screen wondering how she was going to get her revenge. The twists and turns in the story line were not always predictable. Joan Crawford gives the most enigmatic and interesting character transformation. In the beginning of the film she is a framed innocent person, but when Mary Turner comes out after doing her time, she is jaded by the system though wiser, stronger and with knowledge of the law. She is going to get even and no one is going to stand in her way even when she starts to fall in love. Mary Turner helps her con artist friends but only if they stay "within the law." Her associations lead to conflict and a major turning point in the story. I recommend this gem of a film. "Paid" has a good pay off for the viewer!
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