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A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.

Director:

Alfred Hitchcock

Writers:

Clemence Dane (from: "Enter Sir John"), Helen Simpson (from: "Enter Sir John") | 3 more credits »
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Cast

Cast overview, first billed only:
Herbert Marshall ... Sir John Menier
Norah Baring ... Diana Baring
Phyllis Konstam ... Doucie Markham
Edward Chapman ... Ted Markham
Miles Mander ... Gordon Druce
Esme Percy ... Handel Fane
Donald Calthrop ... Ion Stewart
Esme V. Chaplin Esme V. Chaplin ... Prosecuting Counsel
Amy Brandon Thomas ... Defending Counsel (as Amy Brandon-Thomas)
Joynson Powell ... Judge
S.J. Warmington ... Bennett
Marie Wright Marie Wright ... Miss Mitcham
Hannah Jones ... Mrs. Didsome
Una O'Connor ... Mrs. Grogram
R.E. Jeffrey ... Foreman of the Jury
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Storyline

The police find the actress, Diana Baring, near the body of her friend. All the circumstantial proofs seems to point to her and, at the end of the trial, she is condemned. Sir John Menier, a jury member, suspects Diana's boyfriend, who works as an acrobat wearing a dresses. Written by Claudio Sandrini <pulp99@geocities.com>

Plot Summary | Plot Synopsis


Certificate:

TV-PG | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

24 November 1930 (USA) See more »

Also Known As:

Enter Sir John See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TCM print: British)

Sound Mix:

Mono (R. C. A. Photo Phone System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

Miles Mander and Esme V. Chaplin are the only actors to appear in its German language remake Mary (1931). Mander reprised his role as Gordon Druce, though the character's name was changed to Gordon Moore, while Esme V. Chaplin plays the prosecuting counsel in both films. See more »

Goofs

While Diana and Sir John are talking in the prison, her hands go from both gripping the table to only the right hand gripping the table between shots. See more »

Quotes

[first lines]
Old Woman: People ought to be ashamed of themselves, kicking up all that racket at this time of night.
See more »

Connections

Spoofed in Elstree Calling (1930) See more »

Soundtracks

Prelude
(1865) (uncredited)
from "Tristan und Isolde"
Music by Richard Wagner
Heard on the radio
See more »

Frequently Asked Questions

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User Reviews

Early Talkie With Merit
28 November 2001 | by Bucs1960See all my reviews

Early Hitchcocks are all worth seeing to observe how the Master's style evolved over the years. This story, based on a Clemence Dane book, is interesting, if only for the sub-texts flowing through it. The dialogue comes in fits and starts, which is common in the early sound films and some of the camera work is rudimentary.....but you can still spot the Hitchcock touch in the nuances of some of the scenes. Herbert Marshall is especially dashing as Sir John; he was a particularly attractive actor in his early years. Nora Baring is servicable as the accused but it is Esme Percy, as Fain, who is intriguing. As a "half-caste", originally written by Dane as gay, he is either overacting like hell or is fascinating in his interpretation....there is a fine line. Regardless, he holds your attention when he is on the screen. The film moves slowlllllllly, very slowlllllly.....but for Hitchcock and early talkie buffs, it is well worth it. Catch Una O'Conner in her younger years as the landlady. She's a treat.


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